Around 1212 St. Francis preached at San Severino, in the Marches; the poet had a vision of two resplendent swords crossed on the saint's breast.
He was born at San Severino, the son of Antonio M. Divini and Mariangela Bruni.
Paolo Spinola (24 February 1628 - 24 December 1699), 3rd Marquis of the Balbases and 3rd Duke of San Severino and Sesto, was a Spanish nobleman of Italian descent and a diplomat.
San Francisco | San Diego | San Salvador | San Antonio | San Pedro Sula | San Juan | San Diego Padres | San Francisco Giants | San Sebastián | San Francisco 49ers | San Francisco Chronicle | San Francisco Museum of Modern Art | San Francisco Bay Area | University of California, San Diego | San Jose | San José | San Francisco Bay | San Francisco Opera | San Marino | San Lorenzo | San José, Costa Rica | San Miguel de Tucumán | San Fernando Valley | San Diego Chargers | San Miguel | San Francisco Symphony | San Diego State University | Grand Theft Auto: San Andreas | University of California, San Francisco | San Pedro |
He came from San Severino, near Macerata, Italy, and was a contemporary of Vesalius, with whom he shares the reputation of having created the science of human anatomy.
Other paintings include Inside the choir of San Severino in Naples; Interior of Sacristy of San Martino in Naples, awarded a prize in Parma; and another Interior of Choir of San Severino, Un coretto ; Carmine Giordano, exhibited in Paris; Pergolesi and the Stabat Mater exhibited in London, and a Winter Forest.
He was subsequently appointed referendary to the Apostolic Signatura and Lay Abbot of the monastery of Santa Maria d' Attilia, in the diocese of San Severino.
The artistic heritage of the school salimbenian inherited his style from Salimbeni brothers and influenced another important local painter, Niccolò Di Liberatore, also known as “L'Alunno” (from Foligno, who lived two years in San Severino and painted there a polyptych signed in 1468).
The artistic careers of Lorenzo Salimbeni (San Severino Marche 1374-c1418) and Jacopo Salimbeni (c.1370/80-after 1426) brothers spanned in both relatively narrow area and short time, from the triptych painting of the altarpiece of the Mystical Marriage by Lorenzo alone in 1400 (Pinacoteca Civica, San Severino) to the frescoes of the Crucifixion and Scenes from the Life of St John the Baptist in the Oratory of San Giovanni, Urbino, in 1416.