In addition to his many recordings for European radio and television, Boyde’s discography includes works by Brahms, Schumann, Tchaikovsky, Dvořák, Mussorgsky, Ravel, Scriabin and Schoenfield.
From pre-revolutionary times, Lentulov was actively involved in various theatrical projects, designing for plays in the Kamerny Theatre (The Merry Wives of Windsor, 1916) and contributing sets for a production of Scriabin's Prometheus in the Bolshoi Theatre in 1919.
The typical dotted note themes in pathétique pieces such as Beethoven's "Pathétique" Sonata, Liszt's Concerto pathétique, or Scriabin's "Patetico" Étude Op. 8, No. 12 also point towards a certain heroic quality.
Katin made his debut at the Wigmore Hall on 13 December 1948 where the programme included works by Scarlatti, Mozart, Beethoven, Rachmaninoff, Scriabin and Chopin.
In 2006, the Russian pianist Andrej Hoteev realized a project at Greater Hall of the Laeiszhalle Hamburg: as soloist accompanied by the Hamburg Symphony Orchestra conducted by Andrey Boreyko he presented the authentic colour light score with Scriabin's intended clavier à lumières rediscovered by himself.
He developed a theory of 'cosmic music' and came to regard Schoenberg's 12-note music as out-dated, regarding himself as a successor to Scriabin, André Jolivet and Varèse.