:For the Franco-Irish saint, see Sidonius of Saint-Saëns.
For ten years he served in Rome as a companion to Ouen, eventually being sent to found a monastery near Rouen.
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Some of the works Albert conducted were created by Saint-Saëns, Respighi, Haydon Wood, Glazounow, and Rimsky-Korsakov.
His 18 February 1882 performance of Felix Mendelssohn's Violin Concerto and 15 December 1883 performance of Camille Saint-Saëns' Introduction and Rondo Capriccioso were some of the earliest appearances of a Canadian musician with a major symphony orchestra in the United States.
Renaud's poems, often influenced by Persian and Japanese poetry, were set to music by Camille Saint-Saëns and Reynaldo Hahn.
Saint-Saëns chose the subject of the historical figure of Benvenuto Cellini largely due to his friendship with Meurice who, in addition to writing the play about Cellini, also helped Dumas write the 1843 novel.
Saint-Saëns started with Stamaty when he was seven years old (1842) and he stayed with him until he was fourteen (1849), whence he went on to the Paris Conservatoire.
The ensemble played an unusually varied repertoire for a band of its time period, playing both new music and works by major composers like Ludwig van Beethoven, Hector Berlioz, Jules Massenet, Giacomo Meyerbeer, Camille Saint-Saëns, and Richard Wagner.
She notably portrayed the title roles in the United States premieres of two operas with the company: Camille Saint-Saëns' Déjanire (1915) and Leoncavallo's Zazà (1916).
Sharpe recorded for HMV starting in 1915 with a number of short pieces for solo cello, for example The Broken Melody by Van Biene (1915), Le Cygne by Camille Saint-Saëns (1916), Roses of Picardy by Haydn Wood (1918) and Salut d'Amour by Edward Elgar (1919).
The chamber music of Borodin, Respighi, Saint-Saëns, the piano trios of Richard Strauss, the chamber music of the Terezin Composers, Joseph Rheinberger, Eric Zeisel, Max Bruch, Willem Pijper, Zdenek Fibich, Glazunov, Edmund Rubbra, Luigi Cherubini, Wilhelm Stenhammar are among the subjects which appeared in past issues.
Besides a large selection of mélodies by Fauré, Duparc, Saint-Saëns, Caplet and many others, including German Lieder, Panzéra made a celebrated complete album of Schumann's Dichterliebe with Alfred Cortot at the piano in 1935.
Buried here too, is the pet lion of stage actress, feminist, and co-founder of the cemetery, Marguerite Durand and the pet of Camille Saint-Saëns, composer of Carnival of the Animals.
Winter 2007-2008 with the support of Ministry of Mercantile Marine, tours the islands of Aegean in the frames of 1st Festival Aegean Archipelagos, with the performance “TOTALARTE” with the work of Camille Saint-Saëns, Le Carnaval des animaux (The Carnival of the Animals), in adaptation and artistic assiduity Yannis Georgiadis for piano and string quintet.
She sang all of the major Italian mezzo-soprano roles, but also tackled Wagner's Ortrud (Lohengrin) and Brangäne (Tristan und Isolde), and Saint-Saëns's Dalila (Samson et Dalila) conducted by Victor de Sabata.
Since 1921, the teaching staff has included renowned faculty such as: the trio Pasquier, Maurice Ravel, Camille Saint-Saëns, Marcel Dupré, Robert and Gaby Casadesus, Charles-Marie Widor, Henri Dutilleux, Gilbert Amy, Betsy Jolas, André Boucourechliev, Pierre Amoyal, Sviatoslav Richter, Mstislav Rostropovitch, Igor Stravinsky, Arthur Rubinstein, and Leonard Bernstein.
In the night of 16 May, Nishizawa, Sakai and Ōta were listening at the lounge room to a broadcast of an Australian radio program, when Nishizawa recognized the eerie Danse Macabre of the French composer, pianist and organist Camille Saint-Saëns.
Some performance highlights with the company include the world premiere of Emil Viklický's Phaedra, Pallas in a concert version of Camille Saint-Saëns's Hélène, the title role in the Czech premiere of Antonio Vivaldi’s Orlando Furioso, and the Elephant Man in the world premiere of Laurent Petitgirard's Joseph Merrick dit Elephant Man.
He published numerous books and articles, including biographies of Beethoven, Liszt, Saint-Saëns and Mozart.
Jean-Philippe Collard (born January 27, 1948, Mareuil-sur-Ay, Marne) is a renowned French pianist who is known for his interpretations of the works of Gabriel Fauré and Camille Saint-Saëns.
Before long, she was performing all over Europe and America, sharing the stage with such notable composers, conductors and singers as Edvard Grieg, Richard Strauss, Camille Saint-Saëns, Enrico Caruso, Otto Klemperer, Willem Mengelberg, Pablo Casals, Percy Grainger, Enrique Granados and Thomas Beecham.
In 2011, Lavinia released a Super Audio CD album, produced by Channel Classics Records, entitled, "Fantasies and Impromptus" with works from, among others, Louis Spohr, Gabriel Fauré, Gabriel Pierné, Camille Saint-Saëns.
In 1949 the American synchronized swimmer Beulah Gundling created a routine inspired by Fokine's choreography and entitled The swan to Le cygne by Saint-Saëns.
The ballet, written in a light and frothy style, is in turns reminiscent of Mozart, Scarlatti, Franck, Tchaikovsky, and Stravinsky, mirroring the style of Saint-Saëns's private composition The Carnival of the Animals.
He proposed as collaborator Louis Gallet, whom Saint-Saëns did not know, and the result was the slight piece La princesse jaune notable as the first japonerie on the operatic stage, Japan having only very recently been opened to Western trade and the first Japanese woodblock prints having been seen in Paris only two years previously.
She was a good friend of Jules Massenet and used to sing for Parisian aristocratic salons, for example at Mme Lemaire's hôtel particulier, where Massenet, Marcel Proust, Countess Greffulhe, Camille Saint-Saëns, Reynaldo Hahn, etc. where frequent guests.
Between 1908-1910 Chenal made a number of lauded appearances at the Opéra de Monte-Carlo, including the title roles in Umberto Giordano's Fedora, Camille Saint-Saëns' Proserpine, Alexander Dargomyzhsky's Rusalka, and Giacomo Puccini's Tosca among others.
Scordatura for the violin was also used in the 19th and 20th centuries in works by Niccolò Paganini, Robert Schumann, Camille Saint-Saëns and Béla Bartók.
The music cue during the scene at the Commissioner's country house is Camille Saint-Saëns's "The Carnival of the Animals".
A supposed relationship between Praxiteles and his beautiful model, the Thespian courtesan Phryne, has inspired speculation and interpretation in works of art ranging from painting (Gérôme) to comic opera (Saint-Saëns) to shadow puppetry (Donnay).
Most recently, Dr. Giray performed Dvořák's violin concerto with the Southeast Kansas Symphony Orchestra, and "Introduction and Rondo Capriccioso" by Camille Saint-Saëns, and Poème by Ernest Chausson with Hays Symphony Orchestra.
In 1886, the society had a confrontational split over the issue of promoting foreign music, with the conservative Saint-Saëns facing off against Franck, Vincent d'Indy, and others.
She has also made recital recordings of French Impressionist composers (Saint-Saëns, Debussy, Boulanger, Ibert, Dutilleux, Poulenc and Feld) for Upbeat Records and Master Classics.
Benedetti's debut album released on the Deutsche Grammophon label in April 2005 includes Szymanowski's Concerto No. 1, the Chausson Poème, the Havanaise by Saint-Saëns, and a trio of contemplative miniatures by Massenet, Brahms (arranged by Jascha Heifetz) and John Tavener, the last of which, Fragment for the Virgin, was written for Nicola.
Saint-Saëns had a piano reduction of the score, dedicated to LeBorne, published by Durand that year.
It includes a version of "Danse macabre" played by Béla Fleck, which Fleck provided after reading on Gaiman's blog that he hoped for "Danse Macabre with banjo in it".
The theatre opened on April 2, 1913, with a gala concert featuring five of France's most renowned composers conducting their own works: Claude Debussy (Prélude à l'après-midi d'un faune), Paul Dukas (L'apprenti sorcier), Gabriel Fauré (La naissance de Vénus), Vincent d'Indy (Le camp from Wallenstein), and Camille Saint-Saëns (Phaeton and excerpts from his choral work La lyre et la harpe).
Hagner's recordings include chamber works by Beethoven, Schubert, and Saint-Saëns (EMI Classics), the violin concerti by Tchaikovsky and Mendelssohn, while her 2006 album, Ciaconna (Altara), includes Bach's Partita No. 2, Bartók's Sonata for Solo Violin, and Hartmann's Suite for Solo Violin.