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His writing on film appeared in Sight and Sound, The Listener, Encounter, The Observer; he contributed pieces on literature and art to the New Statesman and The Financial Times, while the New Society and The Times Literary Supplement published pieces on psychoanalytic topics, and occasional pieces ran in The Sunday Times.
She has written for a variety of publications, including: ArtForum, Film Comment, Harper's Bazaar (where she was the film critic from 1999-2002), Interview Magazine, The Nation, Sight and Sound, Spin, and Vibe.
The present director is Kent Jones, who is also the chairman of the Selection Committee which includes Dennis Lim, FSLC Director of Cinematheque Programming; Gavin Smith, Editor-in-Chief, Film Comment; Amy Taubin, Contributing Editor, Film Comment and Sight and Sound; and Marian Masone, FSLC Associate Director of Programming.
Barrie Gavin and Alan Rosenthal, 'Witness: In Memoriam, Robert Vas', Sight and Sound, Summer 1978 pp.
Featured areas include the “Cave Portal” where images of art and its histories explode with sight and sound; a “Portrait Salon” that encourages self-expression inspired by the work of artists from Picasso to Basquiat; and “Avenue A”, a New York subway car where Keith Haring’s work becomes a collective mural created by visitors.