The composers of the Second Viennese School also produced several prominent concertos: Alban Berg's Chamber Concerto for piano, violin, and 13 winds (1923–25), not fully serial but incorporating many elements of Arnold Schoenberg's new system; Anton Webern's Concerto for nine instruments (1931–34), originally intended as a piano concerto; Berg's important Violin Concerto (1935); and Schoenberg's own Violin Concerto (1935–36) and Piano Concerto (1942).
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Jazz was a source of inspiration for Aaron Copland's Piano Concerto in G (1929–31), Stravinsky's Ebony Concerto for clarinet and jazz band (1945).
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