References to famous philosophers, another of Green's favourite subjects, recur throughout the album, most obviously on the track "Jacques Derrida", named after the Deconstructionist philosopher who Green eventually met in 1988.
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The cover artwork for each of the singles was a homage to the packaging of a luxury consumer item: Dunhill cigarettes for "The 'Sweetest Girl'", Dior's Eau Sauvage perfume for "Faithless", and Courvoisier cognac for "Asylums in Jerusalem"/"Jacques Derrida".
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