Not only did he cite Stage Debut as an inspiration for the Wii's Mii Channel function, he also said that "In my mind, it's still alive."
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27 May - Harriet Smithson makes her stage debut at the Crow Street Theatre, Dublin, as Albina Mandeville in Frederick Reynolds's The Will.
He made his international stage debut in The Tempest, a collaboration between the Baxter Theatre Centre and the Royal Shakespeare Company, where he played Ariel alongside his father (Caliban) and Sir Antony Sher (Prospero).
Savage's stage debut was in The Laughter Epidemic at the Pasadena Playhouse.
Less than a month after leaving the programme, Belo made his stage debut as the Guardian Angel in The Vegemite Tales opposite Jonathon Dutton and Blair McDonough at The Venue off Leicester Square.
Caroline moved to New York City at the age of eighteen and soon made her professional stage début touring with Augustin Daly’s famed repertory company that by season's end saw her playing Phoebe, the shepherdess in Shakespeare's As You Like It.
Besides spearheading the revival of indigenous dance forms, Chitrasena also made his stage debut as Othello in the Ernest MacIntyre production of Shakespeare's ‘Othello' and Emperor Jones in the late Karan Breckenridge's production of Eugene O'Neill's 'Emperor Jones'.
Born in Vryheid, South Africa, he studied in Johannesburg with Teasdale Griffiths and Esme Webb, and made his stage debut there, with the Transvaal Opera, as Yamadori in Madama Butterfly, in 1967.
In 1920 she made her stage debut in the role of a diseased soubrette in The Dead Eyes by Eugen d'Albert.
Lipman started in amateur theatre productions in Chicago before making her professional stage début at Niblo's Garden in New York City on November 30, 1885, as Nettie in the Kiralfy Brothers spectacular, The Rat Catcher (an adaptation of The Pied Piper of Hamelin).
She made her stage debut in 1910 at the young age of 15 at the Teatro Colón, Buenos Aires, Argentina in Stiattesi's Blanca de Beaulieu.
Concrete/Rage made its stage debut on April 18, 2009 at the Elekktroshokk Festival in Adelsheim.
Billed as Danielle Lineker, she made her stage debut in Calendar Girls at the Bristol Hippodrome, beginning 26 January 2011.
He made his stage debut at a theater in Bielefeld in 1946 and has been a noted theater director since 1949 and served as the German dubbing voice of Vittorio Gassman, Dirk Bogarde, Montgomery Clift and Jean-Louis Trintignant.
Edward Atienza made his professional stage debut in the role of the Butler in a 1949 production of Up in Mabel's Room.
Oudin made his operatic stage debut in New York as Montosol in Josephine Sold by Her Sisters at Wallack's Theatre in August 1886 under the direction of John A. McCaull who brought Oudin over from Great Britain to appear with his McCaull Comic Opera Company.
She toured the provinces in 1930 and made her London stage debut at the Hippodrome in 1932.
He became an assistant to Mozart and made his stage debut at the revue at the Alhambra, London in 1910 and his screen debut in 1912 for the Hepworth Company.
In 2012 she made her stage debut as Bertha in The Father at the Belgrade Theatre.
He was the first non-Japanese to train and perform in Japan as a traditional puppeteer in the style of puppetry commonly known as Bunraku or ningyō jōruri, making his stage debut in 1994 with the 170-year-old Tonda Traditional Bunraku Puppet Troupe in Shiga Prefecture.
The son of a comedian and actor who also used the stage name Jimmy Jewel, the youngster made his stage debut in Robinson Crusoe in Barnsley, at the age of four, performed with his father from the age of 10 and subsequently became stage manager for the family show.
Born in Rappersdorf in Austria, Wächter sang in various church choirs in Vienna, making his stage début in 1819 at Graz as Don Giovanni in Mozart's Don Giovanni.
On 20 September 2012, in Levante's European competition group stage debut, Juanfran scored the game's only goal at home against Helsingborgs IF.
McDonald's stage debut came in 2010, playing the role of Klaus Voormann in the original stage adaptation of Backbeat.
Her stage debut came at seven years old in a student production at Montgomery College, where she played the granddaughter, Debbie, in The Days of Wine and Roses.
Ten years earlier in 1990, he made his stage debut in Japan performing various violin concertos during the same concert in Tokyo (Suntory Hall) and Osaka (Symphony Hall).
Her stage debut came at the Royal National Theatre where she played Bianca in Marianne Elliot's revival of Women Beware Women.
Tewes made her stage debut in Arsenic and Old Lace at the Pacific Conservatory Theatre in California.
Laurence Boswell (born 1959) is a theatre director, whose credits include Ben Elton's Popcorn, Madonna in her London stage debut, Eddie Izzard in a revival of A Day in the Death of Joe Egg, and Matt Damon, Jake Gyllenhaal, Hayden Christensen, Freddie Prinze Jr and Anna Paquin for West End debuts in This Is Our Youth, which, in 2002, ran concurrently with Up for Grabs, featuring Madonna.
In February 1980, Crooke gave his stage debut in the play Bal (Richard Nelson's loosely adaption of Bertolt Brecht's play Baal with James Belushi in title role) which was staged at the Goodman Theatre in Chicago.
Aiken made his stage debut in the Broadway play A Doll's House at the age of seven and his film debut playing Parker Posey's son in Henry Fool in the same year.
She made her stage début on Oslo Nye Teater (Centralteatret) in 1997, playing the title role in Goldoni's comic opera Mirandolina.
After her stage debut, Bogaert joined the company at the Théâtre du Vieux-Colombier and then worked with Louis Jouvet at the Théâtre des Champs-Élysées where she played the role of The Sphinx in Jean Cocteau's The Infernal Machine.
Love made her stage debut at the age of twelve, at the Prince of Wales Theatre, playing The Rose, in the first stage adaptation of Lewis Carroll’s Alice in Wonderland.
She made her stage debut in Nantes in 1899 as Mimì in La bohème, the same role in which she made her debut at the Opéra-Comique.
In April 1912 Nicholson made her professional stage debut, playing Dolly Clandon in Benson's production of Shaw's You Never Can Tell at the Shakespeare Memorial Theatre, Stratford-upon-Avon.
He was born in Vienna, joined the Vienna Boys' Choir at the age of six, and started his adult career as a concert singer before making his stage debut in 1953 at Graz in the title-role of Simon Boccanegra.
Paige Howard made her professional stage debut at the Vineyard Theatre in New York City, in J.M. Barrie's play, "Mary Rose", playing the title character, directed by Tina Landau.
Born Pierre Grichon in Lasseube, he studied in Toulouse (voice, harpsichord, guitar, violin, composition) and made his stage debut in Paris as a singer at the Concert Spirituel in 1733.
She made her professional stage debut in the 3rd National Tour of Annie in 1980-81, playing the title role of Annie.
Having graduated from the Central School of Speech and Drama, she made her professional stage debut at London's Lyric Theatre in The Way of the World alongside Barbara Flynn, with whom she appeared in television's Cranford.
Tamia Valmont made her stage debut at the Châteauvallon Jazz Festival with Michel Portal, in France, in 1972.
Gebert made his stage debut in Reg Livermore's musical Big Sister in 1990, and has appeared at the Sydney Theatre Company in Trackers of Oxyrhinicus, Antony and Cleopatra, Lost in Yonkers, Galileo and Blackrock.
Her stage debut was in the Marika Kotopouli theatre in the French comedy, La belle Heléne, with Melina Mercouri and Vasilis Diamantopoulos.