During the late baroque the jácara could also be set to a semi-sacred vernacular text, such as Al arma, al arma valientes for 8 voices for Saint Ignatius of Loyola composed by the chapelmaster of Sucre Cathedral, Bolivia, Juan de Araujo.
On his return to Peru, he was hired as maestro de capilla of Cuzco Cathedral, and in 1680 of Sucre Cathedral (then the Cathedral of La Plata) in Bolivia, where he stayed until his death, and where he trained up to four notable música criollo composers including Blas Tardío de Guzmán.
Juan de Araujo, was maestro de capilla of the Cathedral of La Plata 1680-1712, training up four important criollo composers: Andrés Flores, Sebastián de los Ríos, Roque Jacinto de Chavarría, and Blas Tardío y Guzmán who himself was maestro from 1745.
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