On his return to Peru, he was hired as maestro de capilla of Cuzco Cathedral, and in 1680 of Sucre Cathedral (then the Cathedral of La Plata) in Bolivia, where he stayed until his death, and where he trained up to four notable música criollo composers including Blas Tardío de Guzmán.
Juan de Araujo, was maestro de capilla of the Cathedral of La Plata 1680-1712, training up four important criollo composers: Andrés Flores, Sebastián de los Ríos, Roque Jacinto de Chavarría, and Blas Tardío y Guzmán who himself was maestro from 1745.
San Juan | Juan Carlos I of Spain | Don Juan | Santurce, San Juan, Puerto Rico | Juan Gabriel | Juan Perón | Juan Pablo Montoya | Strait of Juan de Fuca | Juan Ramón Jiménez | Juan Luna | San Juan, Metro Manila | San Juan Islands | San Juan, Argentina | San Juan del Sur | Juan Manuel Santos | Juan Gris | Juan | Old San Juan | Juan Mónaco | Juan Luis Guerra | Juan de Padilla | San Juan de la Maguana | Juan Martín del Potro | Juan López de Padilla | Colegio de San Juan de Letran | San Juan Pueblo | San Juan Capistrano, California | Juan Ponce de León | Juan Muñoz | Juan Manuel de Rosas |
During the late baroque the jácara could also be set to a semi-sacred vernacular text, such as Al arma, al arma valientes for 8 voices for Saint Ignatius of Loyola composed by the chapelmaster of Sucre Cathedral, Bolivia, Juan de Araujo.