The scenarios based mainly on translations of scripts of notable international writers, like Jean Cocteau, Eugene O'Neill, Lord Dunsany, Claude Roger-Marx, Luigi Pirandello, Jean Giraudoux, Henrik Ibsen, August Strindberg, Charles Vildrac, Henri-René Lenormand and others.
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La Falange (December 1922-February 1923), labeled a "review of Latin culture," and Ulises (May 1927-February 1928; see also Teatro Ulises), billed as a source of "curiosity and criticism," were two other short-lived, though influential, literary journals founded and directed by Contemporáneos.