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Among his musical partners, soprano Arpiné Rahdjian, violist Demetrio Comuzzi, cellists Luca Pincini and Giorgio Gasbarro (first cellist at Palermo Teatro Massimo), dancer Oriella Dorella (étoile at Teatro alla Scala, Milan).
In the UK and Europe, the systems have been installed in venues including the Royal Opera House in London, the Teatro alla Scala and La Scala's Teatro degli Arcimboldi opera houses in Milan, Italy, the Gran Teatre del Liceu in Barcelona, Spain, and the Wiener Staatsoper in Wien, Austria.
After the composition and performance of further operas L'amico Fritz in 1891 and I Rantzau in 1893, Ratcliff eventually premiered on 16 February 1895 at the Teatro alla Scala in Milan and has been revived a number of times since, most recently in a concert performance on November 25, 2003 at the Alice Tully Hall in New York conducted by Alfredo Silipigni.
With his outstandingly successful international début in 1980 at the Teatro alla Scala of Milan with Falstaff, staged by Giorgio Strehler and conducted by Lorin Maazel, Juan Pons has revealed himself as one of the most famous baritones worldwide.
In 1924, at the invitation of maestro Arturo Toscanini, she made her debut at the Teatro alla Scala in Milan, as Sieglinde in Walkure, and went on singing there as Alice Ford in Falstaff, the Marschallin in Der Rosenkavalier, the Countess in Le nozze di Figaro, and created the role of Dolly at the world premiere of Wolf-Ferrari's opera Sly in 1927, with the great Italian tenor Aureliano Pertile.
He has composed for: Teatro alla Scala, RAI, Teatro del Maggio Musicale Fiorentino, Biennale di Venezia, Teatro La Fenice di Venezia, Teatro Carlo Felice di Genova, Fondazione Arena di Verona, Stuttgart State Opera, Brussels La Monnaie, Frankfurt Opera Theatre, Amsterdam Concertgebouw, London Symphony Orchestra, Tokyo Suntory Hall.
In 1978, she made her debut at the Teatro alla Scala in Milan, as Puccini's Manon Lescaut, conducted by Georges Prêtre, a performance that was televised live across Europe.
Following the defeat of Napoleon, the school's name was changed to Imperial Regia Accademia di Ballo del Teatro alla Scala (Royal Imperial Dance Academy of the Teatro alla Scala).
In 1929 he sang this role in the first complete recording of Andrea Chénier made together with Orchestra and Chorus of the Teatro alla Scala di Milano under the baton of maestro Lorenzo Molajoli (Naxos Historical 8.110066-67).