A copy by him of Teniers's Le Bonnet Rouge was "of the most striking perfection of finish and tone, capable of deceiving any one could it have but age" (manuscript notes in Anderdon, Collectanea Biographica, print room, British Museum).
He died here on 17 January 1838, leaving to the National Gallery fifteen artworks by Rubens, Vandyck, Canaletto, Teniers, Mola, Cuyp, and others.
Later he engraved some further portraits, some from his own drawings, as well as genre subjects after Rembrandt, Teniers, Schalken, Mercier, and others.
The house has an extensive collection of paintings, porcelain and furniture, including works by Gainsborough, Reynolds, Van Dyck, Raphael, Puligo, Zoffany and Teniers.
There are in this suite the Dining-room, eighteen feet high, and of good proportion, an Ante-room, two sides of which are hung with Brussels tapestry, after designs by Teniers, and a very handsome chimney-piece carved in oak: through this, is the Drawing-room — the whole decorated by a small but choice collection of Pictures, by both ancient and modem masters.
Teniers | David Teniers the Younger | David Teniers | David Teniers the Elder, ''Venus (mythology) | ''Twelfth Night (The King Drinks)'' by David Teniers the Younger | David Teniers the Elder | David Teniers III |
Next came Joseph Hendrik Beschey, who was born at Antwerp in 1714; and lastly, Jan François Beschey, who was born in 1717, at Antwerp, where he established himself as a picture dealer, and became celebrated for the copies he made of the works of Rubens, Van Dyck, Teniers, Pijnacker, Moucheron, and other great masters.