"The Picture" (story), a short story by Erskine Caldwell, included in the 1933 collection We Are the Living
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The UK and European release of the record featured the right half of a 1960s biker couple photograph by Dennis Hopper on its sleeve, with Best...I completing the picture; the U.S. sleeve was designed by singer Morrissey and once again features Richard Davalos, co-star of East of Eden (other shots of Davalos grace the covers of Strangeways, Here We Come and the U.S. edition of Best...I).
After a link to the article on Slashdot, a reader used the IPTC information encoded into the image to learn that Roland, Oklahoma had been entered as the picture's location.
The picture was taken at the Watergate in Washington, D.C. The black-and-white photo that appears on the back of the album (also by Mochnacz) depicts Harvey naked and wrapped in plastic sheeting.
In 2003 the Friends of Abbeydale Picture House—boasting patrons including Michael Palin, Peter Stringfellow and the John Lewis Partnership—was formed to "restore and manage the 'Picture Palace' as a community centre for the performing arts and visual media."
The film was thought to have been lost until scenes from the picture were shown at some length in the documentary Jack Smith and the Destruction of Atlantis (2006).
The UK and European release of the record featured the left half of a 1960s biker couple photograph by Dennis Hopper on its sleeve, with ...Best II completing the picture; the U.S. sleeve was designed by singer Morrissey and features Richard Davalos, co-star of East of Eden.
The picture is a reference to the Brest trial and the "Brest elections", when many Polish politicians of the Centrolew party were imprisoned in the Brest Fortress (pictured).
The picture, a movie within a movie within a play within a movie, foreshadowed a style of comedy that would later find its way into the films of Mel Brooks, Who Framed Roger Rabbit and TV’s Mystery Science Theater 3000.
The fourth earl, who inherited in 1781, employed James Wyatt extensively, for interiors that included the Picture Gallery and the Dining Room, and for stables and a Gothic dairy.
The picture is based on the 1925 Russell Medcraft/Norma Mitchell stage play of the same name that starred Mary Boland, Edna May Oliver and Humphrey Bogart.
The appeal of the picture is related to both the fact that the squirrel is perfectly in focus, and that its pose is reminiscent of the gopher from Caddyshack, with "paws held at chest level, eyes staring dead at the camera", according to Mike Celizic of The Today Show.
The picture draws on the debate over the relative virtues of modern music (exemplified by Beethoven and Mozart) as against that of earlier composers, such as Handel, whose bust overlooks the ramshackle band of musicians in the painting, and Corelli, one of whose pieces they are playing.
Finishing the Picture is a thinly-veiled autobiographical examination of the time Miller and his then-wife Marilyn Monroe spent shooting The Misfits (1961).
Live footage from Willem II, The Netherlands in 1993 on November 3, the picture gallery and the live song Sear Me done in Simplon 1992 do not appear on the video version due to time constriaints of the old VHS format.
The picture was recorded illegally in the Falkland Islands in 1999, and was made without the permission of the local government.
He first came to public prominence in the 1943 case over the artistic merits of William Dobell's Archibald Prize-winning portrait of the painter Joshua Smith; a losing entrant claimed the picture was caricature, not portraiture.
It was first recognized by Giovanni Morelli, and is now universally accepted, as being the same as the picture seen by Marcantonio Michiel and later by Ridolfi (his 17th century biographer) in the Casa Marcello at Venice.
He is today mainly remembered for having been the factual base for the picture of Joseph Strelitski, the rabbi who emigrated to America in Israel Zangwill's Children of the Ghetto.
Originally, the picture was larger and showed a tattoo of a Cocteau drawing on his left shoulder, which he had had done in June 1983 because he idolised Cocteau.
There is a big langar for this temple, where a long-distance saint comes for this fest.Another attraction in Hodal is Dabchick (a landscaped area, named after a bird called "Dabchick" as shown in the picture.
Guy Walters asserted categorically that the soldier in the picture was not Greasley, stating that the picture is held by the US National Archives and the caption details show it was taken in Minsk (in Belarus) in mid-1941, that it was taken by a photographer for a propaganda film and identifies the soldier as Soviet from his cap, and that the officers in the picture are the same officers who appear in the film with Himmler.
Image Is Everything was the first 7" vinyl release by the band 3-Ply and featured their very first recorded songs from early 1995. The band gained some criticism from the release of the record, due to the picture used for the cover, however 3-ply stated that "if you are racist you're probably too stupid to understand the cover is just a picture we found funny".
Joonistatud Mees (The Picture Perfect Man) is the fourth Dagö album, released in 2006.
On the picture to the right, he can be seen performing the drum solo, 'The Killer', that has frequently been included in the song "Gerdundula" since he joined the band.
She has appeared on Broadway in multiple shows including Dracula, Lestat, the acclaimed revival of Hair, The People in the Picture and most recently Million Dollar Quartet at New World Stages, as well as featuring in the first season of Boardwalk Empire.
After New Jersey radio station WKXW 101.5 copied onto its website a magazine picture of two of the station’s talk show hosts, Craig Carton and Ray Rossi, the photographer of the picture, Peter Murphy, brought a suit against station owner Millennium Radio Group, as well as Carton and Rossi.
After completion of the film, Edelstein and Lynch became partners in The Picture Factory, where Edelstein produced The Straight Story and Mulholland Drive, as well as worked with Lynch to conceive and launch DavidLynch.com.
The granite monument in the forefront of the picture was erected in honour of local man Terence Bannon, who, on June 1, 2003, became the first citizen of Newry to conquer Mount Everest.
Otto Ludwig Bettmann (October 15, 1903 in Leipzig, Germany - May 3, 1998), known as "The Picture Man," was the founder of the Bettmann Archive.
The composition of a Lamentation, now at the Metropolitan Museum of Art, seems so closely inspired a marble relief by Antonello Gagini in the cathedral at Palermo that it has been suggested that the picture may have been painted for an Italian client.
Founding editor Stefan Lorant (who had also founded Lilliput and had even earlier pioneered the picture-story in Germany in the 1920s) had been succeeded by (Sir) Tom Hopkinson in 1940.
The picture was shot on locations in Birmingham and Bessemer, Alabama during the summer of 1983, with many scenes filmed at the Tannehill Ironworks Historical State Park.
Peake wrote the accompanying text for the picture-book French Characteristic Costumes (1816); a comedic book of Cockney sports entitled Snobson's 'Seasons (1838); Cartouche, the Celebrated French Robber (1844) in three-volumes; and a two-volume biography of a theatrical family, Memoirs of the Colman Family (1841).
In the early 1950s, Ellsworth befriended Hollywood producer Herman Cohen during the filming of Battles of Chief Pontiac. The picture was shot on-location in western South Dakota, using Lakota Indians from a nearby reservation to portray the Native Americans.
Jeff Koons, an internationally known artist, found the picture on a postcard and wanted to make a sculpture based on the photograph for an art show on the theme of banality of everyday items.
As the ultimate contact man with the picture-perfect swing, Rice was never a home run threat, but his speed often turned singles into doubles, and his 1920 stolen base total of 63 earned him the timely nickname "Man o' War".
After 1945 important work in France, in the seminar of Henri Cartan, and Germany with Hans Grauert and Reinhold Remmert, quickly changed the picture of the theory.
Most Monochrome Nokia handsets allow the picture message to act as a screensaver.
The picture located at the high altar was painted by Michelangelo Unterberger, director of the fine arts academy of Vienna, illustrating the Patron Saint.
The picture is of her at her former home in Douglassville, Texas with her arm wrapped around a black and white dog.
It is currently held in the Picture Gallery of Royal Holloway College, after being bought by Thomas Holloway in 1882, where it fetched a then-record price for a painting by a living artist at £6,615.
The picture was shot on location in Kentucky in the Cumberland Falls area, the Levi Jackson Wilderness Road State Park near London, Owensboro and Green River, and at the Abraham Lincoln Memorial Village near Rockport, Indiana.
The picture is a Goldwyn Pictures Corporation production with a supporting cast featuring Hugh Thompson, Tully Marshall, Russ Powell, Lillian Sylvester and Harry Lorraine.
The picture is one of a series of four, possibly commissioned by Lorenzo the Magnificent in 1483 to donate to Giannozzo Pucci on the occasion of his wedding to Lucrezia Bini that year.
In March 2001, the band recorded four new songs for a limited picture disc 7" to be released on Charged Records. Punk Core Records bought the rights to release the picture disc from Charged Records, and released the 7" in October 2001, along with a Singles & Rarities CD .
Wake of the Red Witch represented the second screen teaming of John Wayne and Gail Russell, after Angel and the Badman the previous year, during which he and Russell had an offscreen affair; the film must also have held some special significance for Wayne, since he named his own production company, Batjac, after the shipping firm depicted in the picture.
The picture was the second time that year that Harlow and Loy worked together, also both appearing during 1936 in Libeled Lady also starring William Powell and Spencer Tracy, with Harlow billed first.
Roberts painted the picture from sketches made at a camp he made with Frederick McCubbin at Box Hill, then a rural locality east of Melbourne.