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Scholars have cited parallels between the Æsir–Vanir War, The Rape of the Sabine Women from Roman mythology, and the Mahabharata from Hindu mythology, providing support for a Proto-Indo-European "war of the functions."
A transposition of the Rape of the Sabine Women to the Cuban fields, it is said that Enríquez had a horse brought to his workshop, tied Sara Cheméndez (his female model at the time) to the horse and had the animal lashed, in order to have a more realistic scene for the painting.