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unusual facts about The Right Size


The Right Size

From their earliest shows, such as Que Sera, The Bath, Flight to Finland and Moose, The Right Size often tried out productions at the Edinburgh Festival Fringe or London International Mime Festival, and then toured in the UK, Europe and internationally, sometimes in collaboration with the British Council.


Arena Theatre, Wolverhampton

Numerous prestigious companies touring shows to the Arena during this period included Kneehigh Theatre, Royal National Theatre, Royal Shakespeare Company, People Show, Tara Arts, Shared Experience, Forced Entertainment, Volcano, Hull Truck Theatre, Gay Sweatshop, Cheek by Jowl, Market Theatre (Johannesburg), Trestle Theatre, Complicite, Kathakali Dance, Black Theatre Co-operative, Red Shift Theatre, ATC Theatre, Snarling Beasties and The Right Size.


see also

Coricidin

In the late 1960s, blues-rock guitarist Duane Allman (1946–1971) of The Allman Brothers Band began using an empty glass Coricidin bottle as a guitar slide, finding it to be just the right size and shape for this purpose.

Genesis Climber MOSPEADA

When riding his Honda VT250 250 cc motorbike he thought to himself that it was the right size for a person to wear.

Paul Blackman

Many writers, actors and company’s developed their work at BAC during Blackmans tenure included Theatre de Complicite, Ridiculusmus, Clod Ensemble, Told by an Idiot, The Right Size, Talking Pictures, Trestle, Phil Wilmot and the Steam Industry, Jack Shepherd, Arthur Smith, Joe Penhall, Adrian Lester, Douglas Hodge, Paul Merton, Caroline Quentin and Ken Campbell.

Small is Profitable

Small is Profitable: The Hidden Economic Benefits of Making Electrical Resources the Right Size is a 2002 book by energy analyst Amory Lovins and others.

Two New Sciences

Later in the discussion this principle is applied to the thickness required of the bones of a large animal, possibly the first quantitative result in biology, anticipating J. B. S. Haldane's seminal work On Being the Right Size, and other essays, edited by John Maynard Smith.