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He also worked as a location manager on TV shows and movies such as Tales from the Neverending Story, The Score, Lassie, The Amazing Race and Taking Lives.
Angelos has appeared in The Score, John Q, The Recruit, The Prince and Me, Harold & Kumar Go to White Castle and Cinderella Man, and most recently in the award winning film Fred and Vinnie, where he plays the world's fattest vegetarian and agoraphobe.
Charnett has also performed on various movie soundtracks, including acclaimed ensemble cast pictures Glengarry Glen Ross (1992) and The Visit (2001), and was a featured soloist for The Score (starring Robert De Niro and Marlon Brando).
Beginning on April 30, 2013, The Score began to carry Hockey Central Playoff Xtra nightly during the Stanley Cup playoffs.
Mandalay Pictures is a film production company whose productions include I Know What You Did Last Summer, Donnie Brasco, Seven Years in Tibet, Wild Things, Les Misérables, The Deep End of the Ocean, Sleepy Hollow, The Score, and Into the Blue.
In the movie The Score Nick Wells (played by Robert De Niro) uses a thermal lance to cut a hole in the top of a safe, to avoid the safe's glass relocker device.
With the series shifting south to Miami, Game 3 began as a close game with the score 1–1 after five innings, but was put to bed in the Marlins' half of the sixth, when they scored four runs to finish John Smoltz's night.
With 5:12 left in the 1st quarter, Rice got on the board with an 11-yard touchdown pass from quarterback Joel Armstrong to wide receiver Mike Falco, making the score 14-7, Troy.
Fourteen of these came in the third quarter on two rushing touchdowns by Ballard of seven yards and one yard, while the final touchdown that made the score worse than the 1968 Ohio State-Michigan game came via a Relf 31-yard pass to Michael Carr in the fourth quarter.
Dave Grusin composed the score that is mostly on the subtle side for the movie.
The female vocalist heard in the score is Norwegian singer Helene Bøksle.
The film was nominated for the Academy Award for Original Music Score (lost to the score of The Red Violin) and the Golden Globe Award for Best Original Score (lost to the score of The Legend of 1900), and won the Anthony Asquith Award for Film Music in the BAFTA Awards.
Shortly after signing for Bayern, Görlitz made his debut for the Germany national team, appearing in the last five minutes of the 1–1 friendly with Brazil, on 8 September 2004; the following month, he assisted veteran Thomas Brdaric as the striker closed the score at 2–0, in another exhibition game, now with Iran.
The band went up to popularity only in 2000, recording the score for popular Brother 2 movie by Aleksei Balabanov.
Though he took part in the trial of John Hooper, Bishop of Gloucester, and served also on a commission to try Nicholas Ridley and Hugh Latimer, in general he took no active part in the proceedings on the score of heresy.
Johnette Napolitano of Concrete Blonde fame is the main vocalist on the score to West.
She wrote the score for the television production of Howards End while living in Rooks Nest House near Stevenage, where E.M. Forster had lived as a child, and which was the setting for the novel.
Sina once again came on as a substitute but this time it was on the 60th minute mark, he replaced Fatmir Vata when the score was 4-1 to the Russians, Sina's presence on the field was shown as Russia did not manage to score again after he had entered the field.
The score, a mixture of traditional Irish instrumentation and conventional orchestra, prominently featured performances by the Irish musical group The Chieftains and a revision of the song "Book of Days" composed and performed by Enya.
For Tokyo DisneySea, he composed the score for "BraviSEAmo!", the pyrotechnics and water nightly show in 2004.
A reconstruction of the score was undertaken by the American transcription specialist Chris Eric Jensen in 2005 in collaboration with the pianist Håvard Gimse who gave the piece its first performance on Tveitt's 100th birthday on October 19, 2008, the first time it had been played by a pianist other than the composer.
This lunch ended with Auric and Tailleferre taking the score of Thomson's "The Mother of Us All", which Thomson had given as a gift, turning it upside down on the piano and having Poulenc singing all of the roles (including Susan B. Anthony) in nonsense English syllables which were supposedly an imitation of Gertrude Stein's Libretto while Tailleferre and Auric improvised a four-hands version of Thomson's score.
He wrote the score for the Shrek Hallowee'en television special Scared Shrekless, which aired on the NBC network in October 2010; as well as the Lifetime Television film Living Proof (film).
In the story "Some Reminiscences of the Life of Augustus Fitzsnob, Esq." (inspired by Thackeray's The Book of Snobs), Kennedy gave the score of a chess game said to be played by Napoleon and Count Bertrand.
Composer Roger Redgate has provided the score for many of Cottage's films, including the short film "Small Gestures" with Derek Jarman.
At the 2004 Summer Olympics, his competition saw a crowd protest over a low score for a routine by Alexei Nemov of Russia, which lasted for fifteen minutes until the score was raised.
Whereas the first version of the score relied solely on acoustical means to achieve dynamic balance, amplification became a requirement for performance after the addition of the soloists in the revised version (Maconie 2005, 393).
The film's score is a pastiche of Ennio Morricone's spaghetti western scores, and one passage directly quotes from the score of Once Upon a Time in the West.
In 2009, he won the Jameson Film Music Award at the Stockholm International Film Festival for the score to the animated feature film Metropia (directed by Tarik Saleh) and that same year, he did co-vocals on the song "Departer" on the album Night Is the New Day by Katatonia.
In the vault final, he won the bronze with the score of 15.233, behind Yang Hak-Seon and Steven Legendre.
The work was largely forgotten until January 2005 when the University of Calgary staged its North American premiere using the French libretto and the version of the score for chamber orchestra that had been used at the 1869 gala performance in the Théâtre du Thiergarten, which Žekulin reconstructed from Viardot's papers at Harvard University.
The unofficial Associated Press scorecard had Mercer clearly winning the fight by the score of 97–93, while HBO's unofficial ringside scorer Harold Lederman scored the bout a draw 95–95.
Ron Hamence joined Hassett and they took the score to 20 before the former was run out attempting a quick single.
His only appearance saw a 72-4 loss to Great Britain at the Prince Charles Park in Nadi, the score being the record for the largest test win by the Lions.
While the score was tied at 4-4, Bossis missed the next penalty, allowing Horst Hrubesch to score the last penalty and drive the Germans to the final.
Sportswriter Leonard Koppett affected the role of classical music critic in 1963 to tweak the song's simplistic composition: “There is little in the score of interest to a mid-20th-century audience. The harmony is traditional; no influences of atonality or polytonality can be found. In fact, it’s sort of un-tonal.”
After Tony Fernández connected off him for a home run that pushed the score to 7-0, Loynd vented his anger by hitting the next batter, Lloyd Moseby, with a pitch.
The teleplay broadcast in February 1968, and received an Emmy award nomination for the score, written by Bernard Green.
Gravenites is also responsible for writing the score for The Trip, produced the music for the movie Steelyard Blues.
Among his more popular works is the score for the Federico Fellini film Intervista, his second of three collaborations with the famous director, the others being Ginger e Fred (Ginger and Fred in English) and La voce della luna (The Voice of the Moon).
The score for the film was composed by the renowned Kosovo-born, Albanian composer Rauf Dhomi.
On June 24, 2012, Wisconsin Public Radio broadcast the Open Goldberg Variations to their radio audience and simultaneously provided the score on their website, where the audience was able to follow the notes being played, have measures highlighted, and pages turned automatically, synchronized with the music from the radio.
The score for Parasite Eve II was composed by Naoshi Mizuta and arranged by Hiroshi Nakajima.
Shinji Miyazaki wrote the original film score, while Ralph Schuckett composed the score for the International and Japanese DVD releases.
Aside from composing original scores for Film, Mitchell has scored music for Theatre Productions and Live Events which include the Opening Ceremony for Euro '96 at Wembley Stadium. He was commissioned to write the score for one-man theatre show Ousama with Nadim Sawalha directed by Corin Redgrave at the Brixton Shaw Theatre, and a jazz suite for the Francis Bacon Retrospective Exhibition at the Tate Britain in 2008.
In 2003, Sadie co-wrote with Robin Walden (aka Deepcutt) the score for a musical theatrical version of Bertolt Brecht's Good Woman Of Szechuan at Théâtre Vidy, Lucerne & Théâtre de Chaillot, starring Irina Brook and Romane Bohringer.
The album was nominated for the BAFTA Award for Best Film Music (lost to the score of Moulin Rouge!) and the Grammy Award for "Best Compilation Soundtrack Album for a Motion Picture, Television or Other Visual Media" (lost to the score of O Brother, Where Art Thou?).
The background music for the score, largely variations on the title song "Sihinaya Dige Enna", was played by the Symphony Orchestra of Sri Lanka.
Other characters include Peter Boroff, Russia's greatest composer, who is being wooed by Janice Dayton, America's swimming sweetheart, to write the score for her first non-aquatic picture, a musical adaptation of War and Peace.
They released three studio albums and the score for Samantha Lang's film The Monkey's Mask in 2000.
The score, which uses string and brass orchestra, was composed by Dinesh Subasinghe.
Excerpts from the score were used in the 2005 ballet Anna Karenina, choreographed by Boris Eifman.
In the fifth reel of the score he quotes the revolutionary anthem, "La Marseillaise" (representing the Commune), juxtaposed contrapuntally with the famous "Can-can" from Offenbach's Orpheus in the Underworld.
Also, most of the score that Klaus Badelt composed for the film were used as the score of the show.