The metaphor made during the film by the Israeli lawyer Ram Caspi, whom represented the Israel Corporation (controlled by the Ofer Brothers Group) in the negotiations over the acquisition of the government shares in Zim.
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The film explores the sale of state assets, such as the Dead Sea Works, Zim and the Oil Refineries Ltd, to the Ofer Brothers Group.
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The film's name is a culinary metaphor which refers to the alleged deal made which resulted in Ofer Brothers Group acquisition of Zim, the national shipping company, for a seemingly very low price.
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A central part of the film deals with a donation attempt by Sammy Ofer to the Tel Aviv Museum of Art in exchange for the renaming of the museum after him and his wife, and for provisions which would entitle him, according to the film, to ownership rights to the structure of the museum.
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