The reason for this approach was that Rosalind Newman had requested that many changes be made, and with Jigsaw she could arrange the segments how she wished.
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On parts two and three of the suite Frith plays mostly "low-grade" instruments with added samples by turntablist Christian Marclay.
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The Technology of Tears, commissioned by Rosalind Newman and first performed by her dance company at the Joyce Theatre, New York City in February 1987;
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Frith composed all the music and plays most of the instruments, with assistance from John Zorn, Tenko Ueno, Christian Marclay and Jim Staley.
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