She became a favorite of Handel's during the composer's last few years, appearing in several performances of his works including the role of Counsel (Truth) in the world premiere of The Triumph of Time and Truth in March 1757.
It was first used by Handel in the oratorio Saul (1739), and later in the 1739 revivals of his Il Trionfo del Tempo and Acis and Galatea, and the next year in L'Allegro, il Penseroso ed il Moderato.
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