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In addition to his many portraits and religious pieces, Leandro painted secular, genre-like works, such as his, Concert, now in the Uffizi Gallery and his, Kitchen Scene, hung in the Indiana University Art Museum.
Through the desire of Renaissance artists reading Pliny to emulate Apelles, and, if possible, to outdo him, Venus Anadyomene was taken up again in the 15th century: besides Botticelli's famous Birth of Venus (Uffizi Gallery, Florence), another early Venus Anadyomene is the bas-relief by Antonio Lombardo from Wilton House (Victoria and Albert Museum, London).
In the 2000s Clemente showed at the Irish Museum of Modern Art in Dublin, at the Museo MADRE in Naples, the Schirn Kunsthalle in Frankfurt, Uffizi Gallery in Florence and at Yale Museum of Art in 2013.
Following the months after Riina's arrest, there were a series of bombings by the Corleonesi against several tourist spots on the Italian mainland – the Via dei Georgofili in Florence, Via Palestro in Milan and the Piazza San Giovanni in Laterano and Via San Teodoro in Rome, which left 10 people dead and 71 injured as well as severe damage to centres of cultural heritage such as the Uffizi Gallery.
This marble figure of Faith was acquired by the Uffizi Gallery in 1830 from the prior of a church at Paterno near Florence.
The tower and other buildings were destroyed and others damaged, including the Uffizi Gallery, where three paintings were irretrievably destroyed, including an Adoration of the Shepherds (1620) by Gerard van Honthorst.