More ambitious and on a wider canvas are the historical or semi-historical novels, Dichterleben (1826), Der Aufruhr in den Cevennen (1826, unfinished), Der Tod des Dichters (1834); Der junge Tischlermeister (1836; but begun in 1811) is an excellent story written under the influence of Goethe's Wilhelm Meister; Vittoria Accorombona (1840), the story of Vittoria Accoramboni written in the style of the French Romanticists, shows a falling-off.
After these events Paolo Giordano returned to Rome, where he started a relationship with Vittoria Accoramboni, wife of Francesco Peretti, the nephew of the future Pope Sixtus V.
On the death of Pope Gregory XIII, Cardinal Montalto, her first husband's uncle, was elected in his place as Sixtus V (1585); he vowed vengeance on the duke of Bracciano and Vittoria, who, warned in time, fled first to Venice and thence to Salò in Venetian territory.
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Vittoria, overwhelmed with grief, went to live in retirement at Padua, where she was followed by Lodovico Orsini, a relation of her late husband and a servant of the Venetian republic, to arrange amicably for the division of the property.
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Her story formed the basis of John Webster's drama, The White Devil, or The Tragedy of Paolo Giordano Ursini, Duke of Brachiano (1612), of Stendhal's novella Vittoria Accoramboni (1837-1839), of Ludwig Tieck's novel, Vittoria Accoramboni (1840) and of Robert Merle's novel l'Idole (1987) published in English translation as Vittoria.
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