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During the following decade Krampf worked alongside a number of the leading directors of the Weimar era including F. W. Murnau, Robert Wiene, G. W. Pabst, Richard Oswald and Rudolf Meinert at a time when German films enjoyed a high critical reputation.
Aesthetically inspired by German Weimar-era cabarets and burlesque shows, the band also chose a name of German origin that literally translates to "cat's wail cabaret" with Katzenjammer also generally meaning "discordant sound" and being used as a synonym for a hangover.