Saab Automobile used a modified orchestral version of "If I Survive" in their 2008 Saab 9-3 TTID commercial.
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The second CD, titled Live Angle, featured a live set with Alex Madge on drums and Jamie Griffiths on the wheels of steel, and several singles, including Kid 2000 with Chrissie Hynde.
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Additionally, wide angle anamorphic lenses of less than 40 mm focal length produce a cylindrical perspective, which some directors and cinematographers, particularly Wes Anderson, use as a stylistic trademark.
Initial approaches to moving fulldome imagery used wide-angle lenses, both 35 and 70 mm film, but the expense and ungainly nature of the film medium prevented much progress; furthermore, film formats such as Omnimax did not cover the full two pi steradians of the dome surface, leaving a section of the dome blank (though, due to seating arrangements, that part of the dome was not seen by most viewers).
Prior to the development of lenses utilizing the Angénieux retrofocus concept, mirror lock-up was essential to wide-angle SLR photography.
It has a bulb-like aspherical lens, similar to notable wide-angle and fisheye lenses such as the Nikon AF-S NIKKOR 14-24mm f/2.8G ED, Nikon AF DX Fisheye-Nikkor 10.5mm f/2.8G ED, or Tokina AT-X 107 DX AF 10-17mm f/3.5-4.5 fisheye lens.
In the 1970s he began to also use Single-lens reflex cameras alongside his Leica, using Leicas for wide angle shots and Nikon or Canon cameras with zoom lenses.
The first Biogon (2.8 / 3.5 cm, unbalanced) was created in 1935 by Ludwig Bertele, then referenced by designer Zeiss Ikon Dresden, the Contax created as a modification of the then Sonnar. It was developed by Carl Zeiss in approximately 1949 and manufactured in Jena, then a redesign in Oberkochen. In 1951 a new Biogon with a 90 ° angle (Super Wide Angle) was also designed by Ludwig Bertele for Carl Zeiss, which opened the way to extreme wide angle lenses.