The review referred to the opening track "Screaming at the Wailing Wall" as a "toe-tapping, arm-in-arm Celtic boogie tune" and the following song "The Seven Deadly Sins" as a "kitchen-party Celtic assault." The review also noted that the song “To Youth (My Sweet Roisin Dubh)” sounds like a "Dublin-ized Mike Ness of Social Distortion" and that “The Wanderlust” as a combination of The Clash and The Pogues.
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