"Sappy", removed at the last minute from In Utero and placed on No Alternative instead
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After a few years of working as a model and chorus girl, including being an understudy to Gypsy Rose Lee, Jergens landed a movie contract with Columbia Pictures in 1944, with brunette Jergens becoming a blonde.
By 2002, the Tuscaloosa chapters of the Sierra Club and the Alabama River Alliance also joined in the chorus of groups against the construction of the bypass.
The female priest in fillets leads the Vestal chorus; for her alone is it right to look upon the Minerva brought from Troy.
Later, they moved to Puerto Rico where she participated in different musicals including Godspell, Jubilee and Show Boat in addition to singing with the chorus of Jubilee, which was invited by Pope Paul VI to sing at St. Peter’s Basilica as part of the celebration of the 1975 Holy Year.
On 26 February 1926 she recorded a duet with Leo Franklyn and two songs with chorus and orchestra in London.
Robert Schumann: Das Paradies und die Peri, with Christoph Pregardien, Robert Gambill, Edith Wiens, Anne Gjevang, Sylvia Herman, & Hans-Peter Scheidegger; Romand Chamber Choir, Pro Arte Chorus of Lausanne; l'Orchestre de la Suisse Romande.
Presley's version differs greatly from the original: Elvis started the song with the chorus, where Gunter began with the first verse, and he replaced Gunter's line "You may get religion" with the words "You may have a Pink Cadillac", referring to his custom-painted 1955 Cadillac auto that had been serving as the band's transportation at the time.
It features a crowd of chorus girls diving and swimming into the water in various geometric and floral patterns.
All of these remains indicate the presence of nomadic groups dedicated to the collection of marine creatures (clams, mussels and choromytilus chorus, among others) and to hunting and fishing.
Jakub Jan Ryba: Czech Christmas Mass (Česká mše vánoční) – Jaroslava Vymazalová, Marie Mrázová, Beno Blachut, Zdeněk Kroupa, Václav Smetáček conducting the Prague Symphony Orchestra, Josef Veselka and the Czech Philharmonic Chorus; Supraphon SU 3649 (1966).
The Loch Ness concert, entitled Beat the Drum after the chorus to the song "Pride of the Summer", was released on DVD and CD as Year of the Flood in 2008.
Most, if not all of the lyrics in Old Norse are actually taken from heathen literature: for example, the chorus lines in the song "Donar’s Oak" are actually verses four and five of Grímnismál, a poem of the Elder Edda.
In 2004 the VU-Kamerkoor commissioned "La remontée des cendres," an extended work for chorus, soloists and an ensemble of eight instruments, based on texts by Tahar Ben Jelloun.
He sang the baritone solos in choral conductor Robert Shaw's acclaimed and highly popular 1980 recording of Carmina Burana, with the Atlanta Symphony Orchestra and Chorus.
She studied Environmental Art at the Glasgow School of Art and had a residency in Cromarty, where she recorded people imitating the sea on the CD 100 Breaths, 100 Waves, and a replication of a dawn chorus on Salutations To The Sun.
Hymne - zum Fest des St. Antonius von Padua "Der Geist Gottes, des Herrn, ruht auf mir", for men's chorus
The Advanced and Chamber Choruses form Grady's performance chorus, and have performed at Spivey Hall (Clayton State University), Falany Hall (Reinhardt College) and the Recital Hall of Georgia State University.
Hertfordshire Chorus is renowned for its innovative programming, frequently involving commissions such as "Mass in Blue" and "Ode to a Nightingale" by Will Todd, "Ice" by Orlando Gough and "Solaris" by Steve Block.
Frazin's oratorio, The Voice of Isaac, commissioned by PALS Children's Chorus, was premiered at Boston's Jordan Hall in March 2003 and praised by the Boston Globe as "...clear in design and Brittenesque in texture...ingeniously scored...(having an) almost unbearable poignancy."
Upon returning to the USA Kytasty left the Chorus and moved to San Diego.
The song has a segment after the first chorus that was composed on the Commodore 64 using the on board SID sound chip in the computer.
The song's chorus was parodied in the Eminem/Dr. Dre song "Guilty Conscience", as "these voices, these voices, I hear them, and where they go I'll follow, I'll follow, I'll follow, I'll follow".
The title "I.O.I.O." is derived from the calls on the chorus sung by Maurice accompanied by Colin's drumming, and Barry sings the verses and plays guitar.
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In Taiwanese Mandarin the "I.O.I.O." chorus sounds similar to love me, love me (愛我，愛我).
Leoš Janáček: Jenůfa – Magda Olivero (Soprano), Jeda Valtriani (S), Nicola Zaccaria (Bass), Margherita Benetti (Soprano), Giuseppe Morresi (Baritone), Grace Bumbry (Mezzo Soprano), Maria Grazia Allegri (Soprano), Nella Verri (Mezzo Soprano), Silvana Zanolli (Soprano), Renato Cioni (tenor), Jerzy Semkow (Conductor); La Scala Orchestra and Chorus.
She sang in numerous concerts and operas with the chorus over the next eight years, including productions of Tosca and Wozzeck.
Luz Casal (chorus) and Teddy Bautista (keyboards) play with them.
The song's producer, Just Blaze, is briefly seen playing pool in the bar during the second verse and final chorus.
The song, written by Grace Jones, Bruce Woolley and Mark van Eyck, showcases strong reggae influences and includes spoken verses (the only sung part of the track is the chorus).
by Galen Marshall (born 1934 in Greensburg, Kansas), and currently conducted by Dr. Bryan Baker, the mixed chorus presently consists of 90 members, and performs a wide variety of music from the Renaissance and Baroque to modern masterpieces.
Elzbieta Szmytka, Evelyn Pollock, Mark Milhofer, Lawrence Brownlee, Wojtek Gierlach, Sinfonieorchester & Chorus Theater St Gallen, conducted by David Stern (oehms classics, 2010)
Inscribed on the plaque are the words from Ode to Joy by Friedrich Schiller; also used as the chorus of Beethoven's Ninth Symphony.
Sloat plays both rock and blues on the guitar and also sings with the world champion Westminster barbershop chorus.
The chorus has worked with world-renowned conductors such as Helmuth Rilling, Nicholas McGegan, Grant Llewellyn, James Conlon, Christopher Seaman, Andreas Delfs, and Doc Severinsen, as well as current MSO music director Edo de Waart and MSO principal Pops conductor Marvin Hamlisch.
Some of the lyrics are taken from the poem "Neon Loneliness" (the first line of the chorus, "Under neon loneliness", is a direct lift) by Welsh poet Patrick Jones, the brother of Manics bass guitarist and lyricist Nicky Wire.
It features lead vocals by producer Thomas Troelsen, with the chorus vocals strongly resembling those of Michael Jackson.
Its commentary relates to how oblivious most of us are to the world around us e.g. "the Martians could land in the car park and no one would care" but in its last line before the chorus becomes suddenly cynical..."they'll burn down the Synagogues at six o'clock and we'll all go along like before," which is a reference to Kristallnacht.
Instead of song titles, the more positive final chorus listed real people such as Leon Trotsky and John Coltrane.
At UNC football games, The Marching Tar Heels play the chorus of this song after the defense makes a third down stop.
Fachelli leaves the group to enroll himself as a bassist under singer Raphael's chorus.
"Shake That!" samples both the song "After Dark" by Tito & Tarantula, taken from the 1996 soundtrack to the film From Dusk Till Dawn and the chorus of the KC & The Sunshine Band song "(Shake, Shake, Shake) Shake Your Booty" from the 1976 album Part 3.
"Penelope Please" namechecks The Pretenders frontwoman singer/guitarist Chrissie Hynde in the chorus: "You will still be home in time, to watch Top of the Pops, featuring Chrissie Hynde".
The first single from the album "Tick Tick Boom" appeared in the games Madden NFL 08 and Madden NFL 11; although it is an early version with some notable changes, such as an alternative chorus.
Parts of "Theocritus: Idyl I" and "The Orchestra" were used in The Desert Music, a composition for chorus and orchestra or voices and ensemble by Minimalist composer Steve Reich in 1984.
It was sung by an off-screen chorus with occasional lines sung by veteran character actor Sterling Holloway who provided the voice of Pooh.
Another version, by Michael Alexander, was set by Nicholas Maw as his piece 'The Ruin' for double eight-part chorus and solo horn.
He co-wrote a book with Baayork Lee, another Chorus Line cast member, about the musical's origins and evolution, entitled On the Line, which was published by William Morrow in 1990.
The original song, Lata Mangeshkar's "Thoda Resham Lagta Hai", was used as the main base of the track within the chorus,.
The album version of "Two in a Million" and the Boyfriends & Birthdays version (so named as it was the theme song of their BBC TV movie) are almost exactly the same, except the Boyfriends & Birthdays version has a slightly more robust instrumentation, taking on a more orchestral and R'n'B approach, and pauses the music during the last line of each verse right before the chorus.
The chorus was sung in Spanish by female vocalists, while male vocals were sung in an invented language imitating English language phonetics of the US Funk singers (somewhat like the later hit Asereje by Las Ketchup, or previously Tom Tom Club's "Wordy Rappinghood").