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He became a popular performer in renowned jazz venues such as Monterey Jazz Festival (1960), Birdland in New York, the Cotton Club in Chicago, Montreax Jazz Festival, and Detroit's Flame Showbar.
He played in a number of theaters, with Dizzy Gillespie at Birdland (1952), on the America Boat with Anthony Ortega (1954) and Modern Jazz Quartet (1955), and was a regular pianist at Metropol Jazz Club, where he played with jazz greats such as Dexter Gordon (1962), Coleman Hawkins (1963), Johnny Griffin (1964), and with Svend Asmussen and Stuff Smith in Sweden 1965.
He has collaborated with one-time Bill Evans sideman Eddie Gomez, flautist Dave Valentin and pianist/film composer Dave Grusin, among others, and he sat in with Arturo O'Farrill’s Jazz Orchestra during their Sunday night residency at New York City’s Birdland, performing his compositions with this large jazz ensemble also at Lincoln Center and Symphony Space.
It is most famous for the short 3 block section in the Faubourg Marigny neighborhood that is home to some of the city's most popular live music venues including Snug Harbor, The Spotted Cat, and The Maison in addition to restaurants, bars, bookstores, coffee shops, and other businesses.
His last skit was appearing in the Birdland, with the Squirrel Nut Zippers.
5 - Le Caveau de la Huchette, a 16th-century building, formerly a hotel (where Elliot Paul lived in the 1920s and 1930s); since 1946, one of Paris's most famous jazz clubs
The Blue Note was a jazz club; the Archie Bleyer Orchestra and first Herman Chittison and later the The Teddy Wilson Trio were featured, usually in the introduction and wrapup of the show.
In 1981 he lent his name to a Jazz club in downtown Montreal on Aylmer Street (corner President Kennedy), which became known as Biddle's (now known as House of Jazz) and was featured in the Bruce Willis film The Whole Nine Yards with his daughter Stephanie Biddle on vocals.
As a solo artist she has played with the American guitarist Tal Farlow, toured with Jamaican composer Marjorie Whylie, played throughout Europe, has seen the weekly jazz club she co-runs, 'Blow The Fuse', become one of the most popular in London, and has been a regular presenter for BBC Radio 3.
The band continued to play for many years at the jazz club now known as Nathan P. Murphy's, opening for numerous jazz artists such as Maynard Ferguson, Buddy Rich and Barney Kessel, who shared the stage with the band.
Don't Get Around Much Anymore – Live at Bullerbyn is a live 1975 jazz recording of a two-evening jam session at the Bullerbyn jazz club, Stockholm, Sweden.
The Ealing Jazz Club, at 42 A The Broadway, Ealing W5, opened in January 1959.
Later, Fattburger regrouped to play live at the Anthology jazz club on 26 June 2009, featuring Allan Phillips as a new keyboardist.
Bruce Viles (owner of the Rocks Push) established The Basement jazz club at Circular Quay in 1973 and the Galapagos Duck opened there as the house band.
There was a very healthy jazz scene in Sydney during the 1970s and the Jazz Co-op were in demand, doing a number of performances at The Basement (Sydney's premier jazz club at that time), the Conservatorium of Music, the Musician's Club, Sydney Town Hall, and a number of the "Music Is An Open Sky" festivals that were presented by jazz producer Horst Liepolt.
Short on funds, he spent the years 1934–1936 living in the resort of Tignes, where he made his living as a ski instructor and started a jazz club.
Ronnie Scott's Jazz Club, a jazz club which has operated in London since 1959
It was recorded in May 1989 and features performances by Tyner's trio which included Avery Sharpe and Aaron Scott at the Sweet Basil jazz club in New York City.
The London House, Chicago, a former s a jazz club and restaurant in Chicago
The montage of Adderley's monologues are taken from a recording made at the Keystone Korner jazz club, San Francisco.
Although Haley's version did not chart when released on Essex Records in 1952, it was enough of a hit in Chicago to win him a short residency in a jazz club there - although this was cut short after many of his black audiences walked out.
Harry (Bill Pullman) is a seasoned CIA agent who is looking to forget his past and become his cover identity—a jazz club owner in Helsinki, Finland.
He is given a tour through the city, as they sample the musical diversity, visiting a funk club, a jazz club, and a street parade.
The Toshiko Akiyoshi Jazz Orchestra: Strive for Jive is a live video recording of the Toshiko Akiyoshi Jazz Orchestra featuring Lew Tabackin in a jazz club setting.
A regular Tuesday night club called The Bristol Chinese R'n'B and Jazz Club was also established which attracted American Blues singers including John Lee Hooker, Sonny Boy Williamson and Little Walter.
The Vortex started as a jazz club in 1987 and was located in Stoke Newington Church Street.
Whilst visiting a jazz club in the US, Farnham was mistakenly introduced as Jack Phantom, and when he subsequently provided a running commentary for a local pool game he named himself Whispering Jack Phantom after the Pot Black commentator 'Whispering' Ted Lowe.