Soba to Bara, a 2009 release on Erstwhile Records, found Yoshida and Toshimaru Nakamura (no-input mixing board) performing one 47-minute improvisation each and pairing the two recordings, each musician's part unheard by the other.
Midas has been designing and manufacturing audio consoles since the early 1970s.
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The Mackie brand is used on professional music and recording equipment, such as mixing consoles, loudspeakers, studio monitors and DAW control surfaces, digital recording equipment and more.
When the Orange County-based producer Jon St. James purchased the studio in the late 1970s, it boasted only a TEAC 8-track tape machine, a mixing console and a few effects.
The audio system includes JBL and EAW speakers arranged in a left-right-center orientation, Allen and Heath mixing console, Shure wireless microphones, and a Peavey Media Matrix DSP.
The album was tracked and recorded at the band's own studio, Breakglass Studio, using a 1968 Neve germanium mixing console rumoured to have been used to record portions of Led Zeppelin's Physical Graffiti, and introduces some new instrumentation for the band: 12 string guitar, flute, omnichord, and mellotron.
In 1970, Jack Herschorn purchased the Universal Audio mixing console and a number of other pieces of equipment from that studio including UA LA-76A and LA-76B limiting amplifiers, UA vacuum tube power amplifiers (which were actually Dynakit Stereo 70 and 50-watt mono amplifier kits assembled into rack-mount chassis), Fairchild Conax sibilance controllers, Langevin graphic equalizers and Cinema Engineering filters, all originally installed in United Studio A in 1957.