She is known to have been the soloist in motets commissioned from Giovanni Porta and Andrea Bernasconi, in whose manuscripts she is mentioned by name; she is also mentioned in an anonymous verse tribute to musicians of the Pietà cori which dates to around 1740.
The motet Anima miseranda, appeared in 'Ghirlanda sacra scielta da diuersi Eccellentissimi Compositori', an anthology by various authors edited in Venice, 1625.
For the occasion of Cleofa's marriage, a celebratory motet has been preserved written by the famous Renaissance composer Guillaume Dufay, Vasilissa ergo gaude ("So rejoice, Queen", using the Greek title for "queen", βασίλισσα).
The earliest definitely datable example of fauxbourdon is in a motet by Dufay, Supremum est mortalibus, which was written for the treaty reconciling the differences between Pope Eugene IV and Sigismund, after which Sigismund was crowned as Holy Roman Emperor, which happened on May 31, 1433.
There are contemporary accounts of the banquet (notably the Memoirs of Olivier de la Marche, and the Chroniques of Mathieu d'Escouchy), which name and describe in much detail the lavish entertainments staged during the meal and various pieces of music performed at it, perhaps including Dufay's motet Lamentatio sanctae matris ecclesiae Constantinopolitanae.
His other unpublished works include several motets, the cantata À la gloire de Jeanne Mance (1942), and incidental music for Antigone and the biblical dramas Jonathas and Tobie.
He is also remembered for the elegy he wrote on the death of Johannes Ockeghem, Nymphes des bois, set by Josquin des Prez as part of his renowned motet La déploration sur la mort de Johannes Ockeghem.
The Missa Fors seulement is built on the chansons by Antoine de Févin and Matthaeus Pipelare; the Missa Fit porta Christi pervia is based on a plainchant cantus firmus; the Missa Myns liefkens bruyn ooghen uses as its source a secular song in Dutch, by Benedictus Appenzeller; and the Missa Stabat mater uses the motet by Josquin, a composer he evidently admired.
For the memorial service for Ernesti's death held on 21 October 1729 in the Paulinerkirche, the university church, Bach composed the motet Der Geist hilft unser Schwachheit auf, BWV 226.
The Boismortier family moved from the composer's birthplace in Thionville (in Lorraine) to the town of Metz where he received his musical education from Joseph Valette de Montigny, a well-known composer of motets.
Pellerin married into another Versailles family in 1714 when he wed Marie-Anne, niece of Michel-Richard Delalande, court composer to Louis XIV and one of the great exponents of the French baroque motet, among his many other masterpieces.
1751: Venite exultemus, motet (first performance 18 December 1751, Concert spirituel)
The album features Dave Watts (of the Motet) on drums, Ryan Jalbert on Guitar, Garrett Sayers on bass, and Damien Hines and DJ Logic on turntables.
One of the last compositions orchestrated for the mediaeval lituus was Bach's motet O Jesu Christ, meins Lebens Licht (BWV 118).
He was required to compose a large-scale motet for choir and orchestra to be performed by the Académie each year on the feast of Saint Louis (August 25), but none survive.
He composed many motets, tonos humanos and villancicos, present in the songbook El libro de tonos humanos (1655) and in the cathedral of Valladolid.
In 1670 he made a journey to Italy, from which two masses and a motet remain in the Kroměříž residence.
Jan Dismas Zelenka: Missa Nativitatis Domini ZWV 8, Magnificat in C major ZWV 107, O magnum mysterium (Motetto pro Nativitate) ZWV 171, Motet Chvalte Boha silného ZWV 165.
His scholarship was exceptionally broad, covering the notation of early Byzantine music, the ars nova, Renaissance motets, Haydn, and Verdi.
By the square stands the controversial statue of The Meeting (Swedish: "Mötet"), showing a naked male figure bearing a piece of meat on his shoulders before a recumbent female figure, created by the artist Willy Gordon.
His most famous choral work is the Advent motet "E'en So, Lord Jesus, Quickly Come", which has been performed at the Festival of Nine Lessons and Carols at King's College, Cambridge, though its broadcast by the neighbouring Choir of St John's College, Cambridge, in its Advent Carol Service precipitated its popularity.
Mealor's motet, a setting of Ubi Caritas et Amor, was commissioned by Prince William for his marriage to Catherine Middleton at Westminster Abbey on 29 April 2011, when it was sung by the Choirs of Westminster Abbey and Her Majesty's Chapel Royal conducted by James O'Donnell.
Lully's motet “Regina coeli, laetare” was written in 1684.
79 works of Rodrigo's are known to survive; these include 39 motets, three masses, eight psalms for Vespers, six hymns, eight settings of the Magnificat, a set of complets, and seven secular pieces.
It was the 4th Duke of Norfolk who commissioned Thomas Tallis, probably in 1567, to compose his renowned motet in forty voice-parts, Spem in alium.
At the Restoration of Charles II enthusiasm for the older 'motet' style of anthem returned, but composers continued to write verse anthems, sometimes on a grand scale, particularly for the Chapel Royal.