essay | Ilford Photo | World Press Photo | photo manipulation | One Hour Photo | An Essay on the Principle of Population | Photo of the Chicago and North Western's Pacific Express, which was a companion train to their Overland Limited. While the Overland traveled between Chicago | Photo manipulation | Photo caption | Dwayne's Photo | D-Photo | An Essay on Criticism | World Press Photo of the Year | Will Irwin, photo published in ''San Francisco Call | The Photo Album | The match's outcome is deemed ''legitimate'' if there is a ''level playing field'' and rules do not favor either player or team arbitrarily. Photo: w:Cesc Fàbregas | Statuary at Xiao Xiu's tomb. Photo by Victor Segalen | ''Ruddock with Koichi Tohei Sensei in Iidabashi dojo (photo by Henry Kono)'' | Quarterly Essay | Photo Story | Photo-Secession | Photo of Ukrainian Soviet newspaper article of the 1920s describing the circumstances of a fatal accident with Red Cossack, Kuzma Pavlo's son, Bublyk in 1925 in Izyaslav, Ukrainian Republic | photo of Ukrainian Soviet newspaper article of 1920s describing the circumstances of fatal accident with Red Cossack Kuzma Pavlo's son Bublyk in 1925 year in Izyaslav | Photo-Me International | Photo (French magazine) | Photo CD | Photo booth | Photo archive | Photo | photo |
An excellent example is the photograph Schweitzer at the Lamp by W. Eugene Smith, from his 1954 photo essay A Man of Mercy on Dr. Albert Schweitzer and his humanitarian work in French Equatorial Africa.
Hardy was self-taught and used a Leica —unconventional gear for press photographers of the era— but went on to become the Posts Chief Photographer, after he earned its first photographer credit for his 1 February 1941 photo-essay about Blitz-stressed fire-fighters.
Though he finished his first 16mm film, Wild Gunman, in 1978, he had explored his (rather Situationist) desires to eradicate the borderlines between fine and popular art, public and private imagery, the political and the purely aesthetic in several film and photo-essay projects, notably Flick Skin (1977), a Super-8 film that Baldwin made while living in the projectionist booth at a porn theater.
Photo essay on murals with medical themes in hospitals by Eric Mose and Ruth Egri (Lincoln Hospital, NYC), and Rudolph Crimi (Harlem Hospital).
Life magazine published a 10-page photo essay on the story, which was also covered in Reader's Digest and many other publications.
Life magazine covered the deaths of the men with a photo essay, including photographs by Cornell Capa and some taken by the five men before their deaths.