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Daniel Gordon "Dan" Stuart (born March 5, 1961, Los Angeles) is an American musician best known as the leader/singer/songwriter of 80s post punk, alt-country rock band, Green On Red (other members included Chuck Prophet, Chris Cacavas and Jack Waterson), and for his teaming with Steve Wynn as Danny & Dusty
With The Times is an album recorded in November 1980 but released in 1985 by West London Post punk and Indie band The Times.
Pop Goes Art! is the debut album recorded in the summer of 1981 but released in 1982 by West London Post punk and Indie band The Times.
Releasing two full length albums and a two track 7-inch they specialised in playing a dense, meandering and sometimes explosive brand of post punk, taking influences from dirgecore bands such as Cerberus Shoal and Neurosis.
she was also drummer of The Darlings, a band which included Lesley Woods, formerly of the post punk band Au Pairs, and Debbie Smith, later in Curve and Echobelly.
Amesoeurs was a French post-punk/black metal band formed in Bagnols-sur-Cèze, France in Summer 2004 by guitarist/vocalist Neige of Alcest, and by bassist/singer Audrey Sylvain and guitarist Fursy Teyssier (Phest, Les Discrets) with the purpose of creating a music that reflects the dark side of the industrial era and modern civilization.
In 1978, after being in post-punk band Manicured Noise, he formed another post-punk band, Ludus, alongside art designer Linder Sterling.
B.A.D. (Not to be confused with English Post-punk group Big Audio Dynamite)
They jammed with drummer Bob Lee (one of the Devo Bob drummers) and the power trio came together, playing local clubs such as the notable post-punk hangout, Raji's.
Soon the pair were experimenting together, combining their respective influences into a sound that harked back to the post-punk of Wire and The Cure as well as the experimental electronic of Suicide and Orchestral Manoeuvres in the Dark and the krautrock of Can and Kraftwerk.
English post-punk band The Fall has covered four of the album's songs: "I Hate You" and "Oh How to Do Now" on their 1990 album Extricate, "Shut Up" on their 1994 album Middle Class Revolt, and "Higgle-Dy Piggle-Dy" on the 2006 Play Loud!
Breaking the Rules is a 7" single by Manchester post-punk band Ludus, released in 1983. Both the A and B side ("Little Girls") are considerably more accessible and pop-oriented than most of their earlier material, and Linder Sterling's lyrics are this time a lot more straightforward than usual, but as uncompromising as ever in the expression of her views on gender roles and sexual politics.
In late 1977, Bruce and Marc became founding members of the iconic post punk group Wall of Voodoo, who did their first show in 1978 opening for The Cramps at the Save The Masque benefit show in Los Angeles.
Their song "Tão Perto" ("So Close") is present in the compilation of Brazilian underground post-punk music The Sexual Life of the Savages, released in 2005 by British record label Soul Jazz Records.
In Spring 2006, Presley and Barbato became members of the prolific British post-punk group The Fall, and are both featured prominently on The Fall's 2007 album Reformation Post TLC, whose title refers to the circumstances surrounding their addition.
In 2006, Kill Rock Stars released a compilation of early Delta 5 material called Singles & Sessions 1979-1981, capitalizing on the reemerging popularity of post-punk bands like Gang of Four and Wire.
Does It Matter Irene? is the first disc released by post-punk group The Mothmen, on Absurd Records, in 1979.
Something of an anomaly in Midwestern America, For Against—especially early in its career—has looked to a distinctly British aesthetic for inspiration, most obviously the post-punk scene exemplified by the early rosters of the Factory and 4AD record labels.
Garry Bradbury is an Australian electronic musician active in Sydney's experimental music scene since 1979 where he was an early member of the pioneering post punk / industrial band Severed Heads, from 1981 to 1985, appearing on the albums: Since the Accident, City Slab Horror, Blubberknife and Clifford Darling, Please Don't Live In The Past.
Similar in vein to the sound of Joy Division, Bauhaus and other post-punk goth rockers, God and the Abyss was a long journey that lasted from the first recording in 1985 to the final release in 1997.
In his 2005 book Rip It Up and Start Again: Post Punk 1978–1984, British music journalist Simon Reynolds described the sound of Heaven Up Here as having been filled out with "guitar overdubs, keyboard glints, vocal multitracking and atmospheric vapours".
Musically, Italian occult psychedelia is a cross of post-punk, krautrock, psychedelic rock, Italian progressive rock and Italian library music.
Clinton Heylin, From the Velvets to the Voidoids: A Pre-Punk History for a Post-Punk World (1993), Penguin Books, ISBN 0-14-017970-4
Released through Touch and Go Records in the United States and Warp Records in the rest of the world, the album was greeted by mainly positive reviews upon its release in 2004; Allmusic hailed it as "a modern-day agit-pop indie dance-rock classic." Louden Up Now sees the group continue to meld funky dance rhythms with post-punk influences.
He also featured on Iain Archer's album Flood The Tanks and Cut La Roc's eponymous debut album, playing the song "Post Punk Progression" with Snow Patrol.
On this album the "classic" 5-person line up became complete with the addition of guitarist/vocalist Rami Fortis a long time Minimal cohort from Tel Aviv who was arguably Israel's most innovative post-punk musician with his solo debut Plonter (knots).
Featuring: Rob Young on the pioneers of electronic music, Simon Reynolds on krautrock, Peter Shapiro on disco & post-punk, Kodwo Eshun on house, David Toop on hip hop, Mike Rubin on techno, Chris Sharp on jungle, Tony Marcus on ambient, Kurt Reighley on downtempo, and Michael Berk on the technology of electronic music.
- a performance by Kelowna post-punk band Empty Set, featuring future members of Grapes of Wrath (Kevin Kane), 54-40 (Darryl Neudorf) and Cannon Heath Down (Jon Brotherton), in the outdoor amphitheatre in 1982.
Moutheater is a band heavily influenced by punk, noise rock, metal, and post-punk from the Hampton Roads area of Virginia.
The second section of the book focuses on William S. Burroughs and his extensive collaborations with Antony Balch, Brion Gysin, and Ian Sommerville, as well as post-punk film makers and artists who were inspired by Burroughs' writings.
Playing with the likes of Mission of Burma, Wild Stares, Vacuumheads, CCCP-TV, V; and The Neats, PiS performed its own unique brand of original post-punk pop music in storied clubs around Boston such as the Underground, The Rat, Storyville, and The Channel.
In May 1977, at the petition of Deaf School's Clive Langer, he founded the punk and post-punk band, Big In Japan, being the drummer; he played in some songs which later appeared on the From Y to Z and Never Again EP, but became less inspired and left in December 1977.
They were, in turn, compared in various press reviews to NoMeansNo, King Crimson, Gentle Giant, dEUS, various post-punk and Rock in Opposition bands (including Die Haut, Kultivator, Zamla Mammaz, Public Image Ltd, Manna and Kraldjursanstalten) and Portishead.
In Australia, other influential acts to emerge included: Primitive Calculators, Tactics, The Triffids, Laughing Clowns, The Moodists, Severed Heads, Whirlywirld, Great White Noise, Kill the King and Crime & the City Solution.
The British post-punk band Joy Division used an image of CP 1919's radio pulses on the cover of their debut album, Unknown Pleasures.
Other influences ranged from post-punk bands such as The Cure and Savage Republic to psychedelic artists like Pink Floyd (they covered "The Nile Song" and "Set the Controls for the Heart of the Sun" on their releases), melded with Native American and Tibetan mysticism.
Retrofit is an album by Blackpool post-punk/electro band Section 25 and released by LTM Recordings on 14 September 2010.
Reviews of their music have cited influences ranging from Bauhaus, The Sisters of Mercy and Joy Division, to the Psychedelic Furs among other, similar post-punk and gothic rock-related bands of the 1980s.
Second Layer was a post-punk musical act formed in 1979 by Adrian Borland (vocals, guitar) and Graham Bailey (keyboards, bass guitar, drum programming), both of The Sound.
It has been covered by The Audreys, The Bravery, Everclear, Face to Face, Goo Goo Dolls, Grinspoon, Zero (a post-punk band from Uruguay, covered the song with the title No cambies), A Fire Inside and also most recently by Lazlo Bane.
Release of Skafish was delayed for many months under financial constraints, and the project was eventually mixed on low budget and released by IRS just before the band left for an extended European tour with The Police, XTC, English Beat, UB40, Steel Pulse and other post punk, ska and reggae bands.
In his early twenties, Burrows started his own indie record label, Hamster Records and Tapes, releasing albums by non-commercial acts such as Loch Ness Monster, Rimarimba, R. Stevie Moore and Attrition, and his own solo material under the guise of Jung Analysts, which has been described as "post-punk industrial funk".
Produced by John Cale of The Velvet Underground, the album finds Escovedo delving into the worlds of avant-rock and post-punk; and its darker sound has only shades of roots rock/Americana music in comparison with most Escovedo's alt-country records.
The Dancing Did were a British post-punk/folk punk group formed in Evesham in 1979, who were described as "a cross between the Clash and Steeleye Span".
The album features two covers, "Fame and Fortune" and "That's When I Reach for My Revolver", both from early eighties post punk band Mission of Burma.
The Sexual Life of the Savages (subtitled Underground Post-Punk from São Paulo, Brazil) is a compilation album produced by Bruno Verner and Eliete Mejorado (the components of alternative music duo Tetine), and released in 2005 by British record company Soul Jazz Records.
The Visit/The Seduction is a 2002 CD reissue of two records by Manchester post-punk band Ludus, EP The Visit (1980) and LP The Seduction (1982), with artwork by Linder Sterling reproduced from the original vinyl release of The Seduction, and extensive sleevenotes written by LTM owner James Nice.
It details her life and marriage with Ian Curtis, lead singer of the 1970s British post-punk rock band Joy Division.
Tupelo Soul is rock band, in post-punk style from Rouen formed in 1984 which had a great influence on local scene.
September 2012 saw the release of Wovenhand's sixth studio album, The Laughing Stalk, produced by Alexander Hacke (who along with Edwards is participating in the reunion of Australian post-punk band Crime And The City Solution).