In the 1930s and 1940s he worked as a sideman with musicians such as Pete Brown, Coleman Hawkins, Hot Lips Page, and Sidney Bechet.
After graduating from the University of Toronto's Faculty of Music Performance program in 1986, Bernardo played tenor and alto sax in the Toronto Latin musical community, as well as recording with various local jazz projects (Don Valley Parkway, Mosaic) as a sideman.
He began as a sideman playing the violin in Fred Hamm's band, and in the 1920s and 1930s he led a series of jazz-oriented dance bands (the most famous being the Biltmore Hotel Orchestra), making a large number of recordings in that period for Victor Records.
He is credited with developing unique guitar and banjo styles influential within the folksong revival, and has appeared as sideman on recordings by Ed Trickett, Bob Zentz, and Joe Hickerson.
In addition to composing and arranging Jazz and Latin Jazz, Franceschini has performed as a touring and recording sideman with Mike Stern, Paul Simon, Celine Dion, Tito Puente, BeBe Winans, Ricky Martin, Lionel Richie, Eddie Palmieri, Victor Wooten and many others.
Munro moved to Sydney when he was 21, and played in the bands of Myer Norman and Wally Parks in addition to work as a sideman on various nightclub, theater, and ship gigs.
During his time with Chief, Hooker also recorded singles as a sideman for Bobby Saxton and Betty Everett as well as in his own name for the Bea & Baby, C.J., and Checker record labels.
After this he worked both as a leader in small ensembles and as a sideman with Gary Peacock (1980), Carl Barry (1982), Keith Greko (1985), Eiji Nakayama (1988), and Stefan Karlsson (1995).
Along the way, James also recorded some songs which appeared on Chess Records and Chief Records, as well as a sideman.
He has collaborated with one-time Bill Evans sideman Eddie Gomez, flautist Dave Valentin and pianist/film composer Dave Grusin, among others, and he sat in with Arturo O'Farrill’s Jazz Orchestra during their Sunday night residency at New York City’s Birdland, performing his compositions with this large jazz ensemble also at Lincoln Center and Symphony Space.
Back to Brazil, he joined Carlos Piper's orchestra, but he also played as sideman for many artist such as Elis Regina and Wilson Simonal.
Fallon worked in the 1950s as an accompanist to Mary Lou Williams, Sarah Vaughan, and Lena Horne, and also served as a sideman in the ensembles of Humphrey Lyttelton, Kenny Baker, and Ralph Sharon.
Notable sideman projects include recordings with Victor Wooten, Jeff Babko and Vinnie Colaiuta, Prasanna, JD Souther, Boyd Tinsley, Everyone Orchestra, and Jonathan Scales, as well as hundreds of commercial studio sessions.
Kenneth Nash is an American jazz percussionist who has worked extensively as a sideman for musicians including Bobby Hutcherson, Herbie Hancock, Pharoah Sanders and Norman Connors.
After a hiatus as a leader, to focus on sideman work, in 2012 Valera released New Cuban Express with Yosvany Terry on saxophone, John Benitez on bass, Tom Guarna on guitar, Eric Doob on drums and percussionist Mauricio Herrera.
Graves has worked as a sideman and session musician with a variety of established jazz musicians throughout his career, including Don Pullen, Eddie Gomez, Andrew Cyrille, Rashied Ali, Kenny Clarke, Don Moye, Philly Joe Jones, John Zorn and Albert Ayler.
He played with Benny Goodman in 1985–1986, and following this played as a sideman with Ken Peplowski, Marty Grosz, Keith Ingham, Frank Vignola, Chuck Wilson, and Spanky Davis.
He did extensive work as a sideman in the 1950s, with Jon Eardley (1955–56), Jimmy Raney (1955–57), Eddie Costa (1956), Friedrich Gulda (1956), George Wallington (1956–57), Al Cohn (1956–57, 1960), Zoot Sims (1957), Gil Evans (1957), Mose Allison (1957–58), Carmen McRae (1958), and Don Elliott (1958).
Throughout the 80s and 90s and early 2000s, he worked as a leader (The Microscopic Septet, Big Trouble, Transparent Quartet) co-leader and sideman (Mikel Rouse, Kitty Brazelton, Bobby Radcliff), and began a parallel career in composition for film, theatre, dance and the concert hall.
Bell is best known as a drummer, working extensively with bassists Marcus Miller and as a sideman for other artists such as Erykah Badu, Victor Bailey, David Bowie, Stanley Clarke, Randy Crawford, Roberta Flack, Al Jarreau, Chaka Khan, Angelique Kidjo, Joe Sample, David Sanborn, John Scofield, Stanley Turrentine, Luther Vandross, Vanessa Williams and Victor Wooten.
He has recorded steadily as a leader since then, and has also played as a sideman on albums with Lionel Hampton, Lou Donaldson, Jack McDuff, Lonnie Smith, and Joey DeFrancesco.
The Rhodes piano became a popular instrument in jazz in the late 1960s, particularly for several sideman who played with Miles Davis.
In addition, Rob is often featured as a sideman with other Owl Studios recording artists, including Derrick Gardner & the Jazz Prophets, the Buselli-Wallarab Jazz Orchestra, Cynthia Layne, Steve Allee, Mike Clark, and The Headhunters.
In the 1980s, Bowlin was a sideman to artists like Maura O'Connell and Kathy Mattea, the latter whom he appeared with on the popular television program, "Austin City Limits".
He moved to Chicago late in the decade, playing both in jazz bands and in theater palaces, then became a big band sideman in the 1930s.
As a sideman, Rosenthal has performed in small groups led by Art Farmer, Jon Faddis, Phil Woods, and Jay Leonhart.
In addition to composing and performing his own work, Horta has worked for many years as and arranger or sideman for many important Brazilian artists, such as Elis Regina, Milton Nascimento, Maria Bethania, João Bosco, Airto Moreira, Edu Lobo, Nana Caymmi, Flora Purim, Gal Costa, Sérgio Mendes, Chico Buarque, Flávio Venturini, Joyce, Johnny Alf, Wagner Tiso, Francis Hime and Beto Guedes.
It comprises recordings from sessions for Blue Note and United Artists Records as a sideman for Paul Chambers, Sonny Clark, Johnny Griffin, and Cecil Taylor that were issued respectively on their Whims of Chambers, Sonny's Crib, A Blowin' Session, and Hard Driving Jazz albums.
But if you're looking for more, listen to these recordings under the name of other jazz musicians with Vic as a sideman: Jimmy Rushing (Vanguard Rec.), Coleman Hawkins (Capitol Rec.), Pee Wee Russell (Black Lion Rec.), Benny Carter (BlueBird & Black & Blue Rec.), Lester Young (Blue Note & Verve Rec.), Count Basie (Columbia & Pablo Rec.), Sidney Bechet (BlueBird, Black & Blue & Blue Note Rec.) In 1953, he recorded 'The Vic Dickenson Showcase' for Vanguard.
in popularity; it also served as early experience for many noted sideman, including Freddie Green, Ward Pinkett, Billy Taylor, Happy Caldwell, and Manzie Johnson.
He has also appeared on television (in Sweden, Singapore, Turkey and Kurdish exile TV) as a solo artist, with Soul Enterprise, and as a sideman with artists such as Khaled Habib and Zakaria.