In 1899 she began a salon at her rented home on the Avenue Victor Hugo; regular guests included the Symbolist painters Lucien Lévy-Dhurmer, John White Alexander, and Edmond Aman-Jean, and her art began to show a Symbolist influence.
He was the son of the Symbolist painter Maurice Chabas and Gabrielle Storms-Castelot, and the brother of the film actor Jacques Castelot.
Literary critics are not sure to which literary movement Augusto dos Anjos belong: some say he was a Symbolist and some say he was a Parnassian, although Ferreira Gullar classifies him as being a Pre-Modernist.
His latest work, Monsieur Spleen, is a biography of the symbolist poet Henri de Régnier, an author today largely unknown in modern literary circles.
His art was influenced by his reading Ruskin, Schopenhauer and Spengler, leading him into a Symbolist period where his work resembled that of the English Pre-Raphaelites who reacted against mechanisation by evoking the legends of the Middle Ages.
Inspired by Symbolist and Pre-Raphaelite art Peterssen painted a series of pictures with motifs from a mediaeval French legend, Gujamar's Song (1905-1907) for the publisher William Nygaard, and four years later another series of paintings based on a Norwegian folk song, Rikeball and the Proud Gudbjørg (1911) for the shipping magnate Jørgen B. Stang.
The landscape of Töölönlahti in Eläintarha is portrayed in the famous painting The Wounded Angel by Finnish symbolist painter Hugo Simberg.
Herzog Blaubarts Burg ("Duke Bluebeard's Castle") (1963) is a film of the opera Bluebeard's Castle by the Hungarian composer Béla Bartók, written in 1911 to a symbolist libretto by the poet and later film theorist Béla Balázs.
According to critic Paul Cernat, Dragoslav was by then "a dissident Sămănătorist", and, with Constant Beldie, the only person from the Insula group not to have been a Symbolist.
In 1895, Grein invited Aurélien Lugné-Poe to present a season of productions in French, of Ibsen's Rosmersholm, The Master Builder and Maurice Maeterlinck's symbolist L'Intruse and Pelléas and Mélisande.
He returned to Lincoln Center for Performing Arts, New York in July 2013 to direct a controversial reimagining of Lera Auerbach's a cappella opera The Blind (based on the symbolist play by Maurice Maeterlinck), for which the audience was blindfolded throughout.
Christophe Karel Henri (Karel) de Nerée tot Babberich (March 18, 1880 – October 19, 1909) was a Dutch symbolist artist who worked in the decadent and symbolist style of Aubrey Beardsley.
Nevertheless, in the purge of 1937, Nadiradze was arrested along with the fellow symbolist writer Sergo Kldiashvili, but both of them were saved only by chance: their NKVD interrogator was himself arrested and the files mislaid.
Introduced by Rubén Darío with the publication of "Azul" (1888), this new style of poetry was strongly influenced by the French symbolist and Parnassians.
The scenery at the premiere was designed by Albert Dubosq and the Symbolist painter Fernand Khnopff; it was executed by Dubosq's atelier together with Chausson's brother-in-law Henri Lerolle and under the supervision of Chausson's widow.
An exploration of the Symbolist paintings of Gail Potocki; with more than 100 works represented and discussed, the 208 page hardcover book also includes essays from Richard Metzger, the host of BBC's Disinformation: the Series and neuroscientist Marina Korsakova-Kreyn, and portraits of Jim and Bébé Rose, Joe Coleman, Grant Morrison, and Claudio Carniero of Cirque du Soleil.
Březina is also noted for the friendships which he formed with other Czech cultural figures, including the Symbolist sculptor František Bílek, the literary critic, sociologist and political scientist Emanuel Chalupný, the poet, prose writer, and priest Jakub Deml, and the philosopher and writer Ladislav Klíma.
Szindbád (also known as Szinbád / Sindbad /Sinbad) is a 1971 Hungarian film directed by Zoltán Huszárik, and based on short stories by the symbolist writer Gyula Krúdy.
The novel also deals with Manners' emerging relationship with Marcel's father who curates a museum of symbolist paintings by Edgard Orst (modelled on Fernand Khnopff and James Ensor).
According to Dr. Justine Hopkins, Draper identifies Icarus "with the other heroes of the Pre-Raphaelites and symbolists, who, like James Dean half a century later, manage to live fast, die young and leave a beautiful corpse".
This Symbolist painting in pastel blues and pale flesh tones, it depicts a beautiful female nude reclining next to an assortment of flowers and holding to her head a small spray of two rosebuds.
Following Meyerhold's unsuccessful attempts to stage symbolist plays at Stanislavsky's Moscow Art Theatre, Komissarzhevskaya invited him to try his experiments at her new Komissarjevsky Theatre.