Maria Hofer - Toccata (piano solo) Ballada, for violoncello and piano (with Euden Prochak) Lieder (with Patrizia Cigna, Wolf Matthias Friedrich)(noncommercial compilation)
He also unearthed two previously unknown pieces by Ludwig van Beethoven: the Sonata for Violoncello and Piano, Opus 64, and the Kreutzer Sonata, transcribed for cello by Czerny.
The Munich Fanny Mendelssohn String Quartet, Renate Eggebrecht 1st violin, Mario Korunic 2nd violin, Stefan Berg viola, Friedemann Kupsa violoncello, was founded in 1989 in the occasion of the performance and publication of Fanny Mendelssohn-Hensel's String Quartet in E-flat major and Piano Quartet in A-flat major at the Gasteig/Munich.
Along with the Duo Sonatas by Maurice Ravel, Zoltán Kodály and the Variations by Elizabeth Maconchy, Kupsa played the world premiere of the duo composition Strassenmusik No 16 by Dimitri Nicolau, which is dedicated to the two soloists Renate Eggebrecht, violin, and Friedemann Kupsa, violoncello.
Two chamber music concerts with Salome Kammer and members of the ensemble musikFabrik showed among others temA for flute, mezzosoprano and piano, his string trio and Allegro sostenuto for clarinet, violoncello and piano.
Seymour Barab, Burt Fisch, Harold Colletta (#2, 4-6), Lucien Schmidt (#4-6), Howard Kay, Harvey Shapiro, Alan Shulman, Isadore Zirr - violoncello, viola
In 1782, Crosdill was appointed chamber musician to Queen Charlotte and violoncello instructor to the Prince of Wales (later George IV).
In the 1960s, Meertens applied affix grammars to the description and composition of music, and obtained a special prize from the jury at the 1968 IFIP Congress in Edinburgh for his computer-generated string quartet, "Quartet No. 1 in C Major for 2 Violins, Viola and Violoncello" based on the first non-context-free affix grammar.
From 1986–1993, he held the post of "Gregor Piatigorsky Endowed Chair in Violoncello" at the USC Thornton School of Music in Los Angeles; he was only the second person to ever hold the title, following Piatigorsky himself.
In addition to giving performances, Vega began a classical trio of piano, violin and violoncello at the Universidad de Sonora.
The Quintet had the use of the four best instruments from Count Chigi-Saracini's private collection, namely a Camillo Camilli and a Guadagnini violin, an Amati viola and a Stradivarius violoncello.
Instruments characteristic of the Ottoman café style included accordion, politiki (Constantinopolitan) lyra, clarinet, kanonaki, oud, santouri, tsimbalo, or cimbalom, violin, violoncello and finger-cymbals.
According to the notes for the Composers Recordings, Inc. recording of Finney's second cello sonata (about 1953), Chromatic Fantasy In E for Violoncello Solo (1957) and second piano trio (1954), he received the Rome Prize in 1960 and the Brandeis Medal in 1968.
Flute (C Flute, bass Flute and Piccolo), Recorder (sopranino Recorder, soprano Recorder, tenor Recorder, bass Recorder and Paetzold contrabass Recorder in F), Clarinet (Clarinet in Bb, bass Clarinet in Bb and contrabass Clarinet in Bb), Saxophone (soprano Saxophone, alto Saxophone and Eb Tubax), Trumpet in C (doubling Flugelhorn), Trombone, Percussion, Accordion, Violin, Viola, Violoncello, Contrabass, Electronics.