Bachelor of Arts | Master of Arts (postgraduate) | National Endowment for the Arts | Master of Arts | American Academy of Arts and Sciences | Electronic Arts | Museum of Fine Arts, Boston | Des Moines, Iowa | École Normale Supérieure | Academy of Motion Picture Arts and Sciences | Tisch School of the Arts | mixed martial arts | Institute of Contemporary Arts | École des Beaux-Arts | California Institute of the Arts | Der Ring des Nibelungen | École Polytechnique | British Academy of Film and Television Arts | École nationale supérieure des Beaux-Arts | Des Moines | University of Music and Performing Arts, Vienna | Museum of Fine Arts, Houston | martial arts | Pennsylvania Academy of the Fine Arts | Academy of Fine Arts | Beaux-Arts architecture | Mixed martial arts | Museum of Fine Arts | Arts and Crafts movement | New York Foundation for the Arts |
As a young man, Arana studied art in Mexico at the Atelier de Jose Bardasano, at the Manhattan School of Arts in New York, the Académie Julian and L'Ecole des Beaux-Arts of Paris, and did post graduate work at the American University in Washington, D.C..
There she worked under the guidance of the French sculptor Marcel Gimond, of the École des Beaux-Arts and also in Museums and Public Galleries in Paris.
He received a Fulbright Fellowship upon graduation and went to Paris to study at the Ecole des Beaux-Arts, École du Louvre, and the Institute d'Art et Archeologie.
The style was introduced to the United States in 1882 by Richard Morris Hunt, the first American architect to attend the École des Beaux-Arts in Paris, when he built a palace in the style at 660 Fifth Avenue in New York for Alva and William Kissam Vanderbilt (demolished, 1926).
Sarrabezolles was born in Toulouse, studied at that city's École des Beaux-Arts (1904–1907), then from 1907-1914 at the École des Beaux-Arts, Paris, where he settled for good.
In 1823 he entered the École des Beaux-Arts, where he studied with the architects Pierre-Théodore Bienaimé (1765-1826) and Léon Vaudoyer (1803–1872).
A large part of the château was subsequently demolished, but only after Alexandre Lenoir was able to salvage some architectural elements for his Musée des monuments français ( presently situated in the École des Beaux-Arts in Paris).
The mansion has been featured in various films including the 1993 Oscar-winning French film "Indochine" starring Catherine Deneuve, 'The Red Kebaya', "Road to Dawn', '3rd Generation' and the critically acclaimed 'The Blue Mansion' in 2009 by Singapore Director Glen Goei of 'Forever Fever' fame.
He worked as a restorer and decorator of department store mannequins, but is remembered as a Sunday painter who trained at the École des Beaux-Arts of Amiens from 1905 to 1910.
Indochine played 4 nights in May and June 1988 in front of 45 000 people
He went to Paris, where he studied at the École des Beaux-Arts and Académie Julian under William-Adolphe Bouguereau.
Despite expressing doubts about his abilities as a painter in a letter to his sister, Shinn resumed his efforts to gain admittance to the École des Beaux-Arts upon his return to Paris that fall and was finally successful, thanks, according to Shinn, to the persistent cajoling of government officials by Thomas Eakins, another young Philadelphia painter who overlapped with Shinn at the Pennsylvania Academy of the Fine Arts.
Hiolle was born in Valenciennes, where he studied at the École Académique, before studying under François Jouffroy and Laurent Séverin Grandfils at the École des Beaux-Arts in Paris.
Restoration of several theaters and buildings of the École des beaux-arts (1822-1832), set in the old musée des monuments français, founded in 1795 in the former Couvent des Petits Augustins, and closed by Louis XVIII in 1816.
The first volume appeared in 1927, the series eventually comprising nine volumes cataloguing drawings of the Northern schools not only from the Louvre's collection but also in other collections in Paris, including the Petit Palais (the collection of Eugène Dutuit), the Bibliothèque Nationale, and the École des Beaux-Arts.
Upon graduation from Berkeley, he moved to Paris, France where, in 1901, he was enrolled in the prestigious École des Beaux-Arts, from which he earned a diploma in March, 1906.
Donnell attended the Ecole des Beaux-Arts in Paris, entering in 1893 and returning to the United States in 1894.
A brilliant student at school, in 1879 Delavallée enrolled simultaneously at the Sorbonne and at the École des Beaux-Arts where he studied under the finest art teachers of the period: Carolus-Duran, Luc-Olivier Merson, Henri Lehmann and Ernest Hébert.
French Indochina, the part of the French colonial empire in Indochina.
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Indochina, Indochine in French, a region in Southeast Asia roughly east of India and south of China.
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Indochine is French for Indochina.
Following that he returned to Europe where he studied at the Academy of Fine Arts in Munich, Germany, at the École des Beaux-Arts in Paris, France, finishing his European art studies in Venice, Italy.
Born in Cambridge, Massachusetts, the son of author William Dean Howells, he earned an undergraduate degree from Harvard University in 1891 and completed further architectural studies there in 1894 before studying at the École des Beaux-Arts, in Paris, where he earned a diploma in 1897.
He took a drawing class at Hull House, then attended the Art Institute’s school, the Chicago Academy of Fine Arts, and briefly the Pennsylvania Academy of the Fine Arts in Philadelphia, then in 1909 moved to the École des Beaux-Arts in Paris at the advice of Parker to continue his studies.
Born at Dijon, in France, Cailliet studied at the Conservatory in his native city before migrating to the United States in 1918.
The institutions which have founded PSL, recently joined by Mines ParisTech as well as the Conservatoire de Paris, the Conservatoire National Supérieur d'Art Dramatique CNSAD, the École des Beaux-Arts, the École nationale supérieure des arts décoratifs, La Fémis, the Lycée Henri-IV, the Pierre-Gilles de Gennes Foundation, the Louis-Bachelier Institute and the Rothschild Foundation (IBPC), enjoy a prestigious reputation.
Paul-Adolphe Rajon (1843 Dijon – June 8, 1888 Auvers-sur-Oise, Val d'Oise) was a French painter and printmaker, who started his career as a photographer while studying at the École des Beaux-Arts in Paris under Isidore-Alexandre-Augustin Pils.
Entering the École des beaux-arts en 1825, he studied in the studio of Ingres alongside his friend Joseph Guichard, then in the studios of Hersent and Delacroix.
Appointed in 1864 Professor at the École des beaux-arts, he trained many students there, including Edouard Lanteri, Hippolyte Lefèbvre, Louis-Ernest Barrias, Eugène Guillaume, the British Alfred Gilbert and the American George Grey Barnard, as well as conducting his own prolific career as a sculptor.
It was there that he made contact with painters who had been trained in Europe, particularly with William Paxton, who had himself been a student of Jean-Léon Gérôme's at the École des Beaux-Arts in Paris.
In addition to the local influences, Silva reflects the interests of the Arts and Crafts movement and the academicism of the Ecole des Beaux Arts in the facade treatment, resulting in an austere and grand, yet lightweight elevation.
He trained at King's College London and University College, London, and joined his father's practice in 1884, also studying at the Royal Academy Schools, the Architectural Association, and the École des Beaux-Arts, Paris.
Born in Montigny-lès-Metz, Bertrand studied art for four years to the École des Beaux-Arts in Nancy, and then attended the Beaux–Arts in Paris.
Married at the age of seventeen, Macdonald-Wright moved to Paris with his wife to immerse himself in European art and to study at the Sorbonne, the Académie Julian, the École des Beaux-Arts and the Académie Colarossi.
He is a teacher at École des Beaux-Arts of Angoulême, and he devotes his energy to realising Coconino World, the webzine he animates with some friends and former students.
He studied in 1957 at the Oranim Art Institute in Qiryat Tivon, with Marcel Janco and Yaakov Wexler and from 1961 to 1963 with Johnny Friedlaender at the École des Beaux-Arts in Paris.
In the early 20th century, the École Supérieure des Beaux Arts de l’Indochine (Indochina College of Arts) was founded to teach European methods and exercised influence mostly in the larger cities, such as Hanoi and Ho Chi Minh City.
He was one of the alumni of Victor Tardieu's École des Beaux-Arts de l’Indochine in Hanoi in the 1930s, along with Mai Trung Thứ, Lê Phổ and woman painter Lê Thị Lựu to emigrate to France and make a career in Paris.