Most of the paintings at Attala are abstract designs except for a few human and animal figures.
He also wrote the soundtrack for a number of arthouse films, including the documentary LuXus, about abstract painter Philip Diggle.
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He has published numerous theoretical studies, monographs and exhibition catalogues on the Russian avant-garde, Futurism, Dada, Constructivism, contemporary art and European abstract art.
He wrote "I have long been an opponent and critic of Christianity, democracy, and anarchy in art and literature. I am particularly opposed to 'Abstract Art,' which I trace to Whistler's heretical doctrines of art and chiefly to his denial that the subject matters, his assimilation of the graphic arts and music, and his insistence on the superior importance of the composition and colour-harmony of a picture, over its representational content."
Ary Stillman (February 13, 1891 - January 1967) was a representational and abstract Russian-American painter born in Hresk near Slutsk, Belarus.
Though he worked in a variety of styles from abstract to figurative, his name is identified with a series of figurative sculptures depicting the life of people living and working along the Singapore River.
The music video, directed by Joseph Kahn and choreographed by Shawnette Heard, shows Jackson in an abstract anime-based, futuristic Japan, featuring an AIBO dog, morphing clothes, levitating platforms, and a futuristic Acura vehicle (Acura CL-X Concept Prototype) .
Da Venezia's style remained post-impressionist until his death, rejecting avant-garde art movements such as Futurism, Cubism, Abstract art, Action painting.
Fritz Winter (22 September 1905, Altenbögge (now part of Bönen) — 1 October 1976, Herrsching) was a German painter of the postwar period best known for his abstract works in the Art Informel style.
Nevertheless, he was perhaps best known worldwide for his abstract work, which was inspired by Islamic calligraphy and was also influenced by the "action painting" movement of the 1950s and 1960s (Mitter notes that Elaine Hamilton was a strong influence in this direction).
Jean Neuberth (born November 1915 in Paris, died March 16, 1996 in Chantilly) was a French abstract painter.
In April 2013, Elias' work was included in a major exhibition at the National Museum of Wales, Cardiff, titled Pop and Abstract, alongside work by David Hockney, Peter Blake, Allen Jones, Bridget Riley and others.
Until 1926, when Fauvism, Cubism and Abstract styles came to the fore, Gard stayed away from theory and, it seems, followed Corot's lessons when he installed his easel on street corners in Morigny or Étampes and practiced with a palette of soft and refined tones.
For four years (1928–32), she and her husband lived in Berkeley, California where she joined various art leagues and worked with prominent artists in the Bay Area, including John Emmett Gerrity, David Park and Galka Scheyer who represented The Blue Four: European abstractionists, Feininger, Kandinsky, Jawlensky and Klee.
Always interested in painting and drawing, Tate studied painting with Hans Hofmann in Provincetown, Massachusetts from 1947 until 1950, and began showing his work in exhibitions of abstract art in New York City in 1952.
Natalia Dumitresco (born Natalia Dumitrescu; 1915 in Bucharest, Romania – 1997 in Chars, France) was a French-Romanian abstract painter associated with the Réalités Nouvelles salon of Paris after the Second World War, a movement influenced by the art of Wassily Kandinsky and Alberto Magnelli.
Although his paintings are widely recognised for their distinctive figuration, the themes and ideas behind the paintings remain conceptually abstract.
Macció's visually unabashed abstract art brought him to the attention of, among others, architect Clorindo Testa and he joined the Boa Group, one of a number of intellectual circles influencing local cultural life in those days.
He was a co-founder of Synchromism, an early abstract, color-based mode of painting, which was the first American avant-garde art movement to receive international attention.
Thilo Friedrich Maatsch (born August 13, 1900 in Braunschweig, died March 20, 1983 in Königslutter) was a German artist and an exponent of abstract art, constructivism and concrete art.
Joan Mitchell moved to Vetheuil in 1959 where she productively made many abstract works.
Wilhelmina Barns-Graham CBE (8 June 1912, St Andrews, Fife – 26 January 2004) was one of the foremost British abstract artists, a member of the influential Penwith Society of Arts.
Recognized as a significant proponent of abstract figuration in the renewed interest in figuration of the late 1950s and 1960s in such exhibitions as “Recent Drawings, USA”, 1956 and “Recent Paintings USA, the Figure,” 1962 at MOMA, “The Emerging Figure”, Contemporary Arts Museum Houston, Texas, 1960 and “The Figure International” American Federation of Arts, 1963.
Along with contemporaries Pierre Clerk and Ilya Bolotowsky, Hudson works within a small set of artist working within the Neo-Plastic style - not adhering to strict rules, but exploring the depth and future of geometric abstract art.
Her own specialism was abstract art and she had one solo show at Sandros Gallery in Harare.
Pigeonholed by art critics for too long as something that happened in Paris and especially in New York, concrete abstract art was actually a worldwide movement that spread from South America to Northern Europe, and cannot simply be reduced to the French easel painting of Bazaine, Manessier, Hartung, Estève or Gischia.
Simon Hantaï (1922 – 2008), painter generally associated with abstract art
In 1940 Clement Greenberg adapted the concept for his own essay entitled Towards a Newer Laocoön in which he argued that abstract art now provided an ideal for artists to measure their work against.
Madí (or MADI) is an international abstract art movement initiated in Buenos Aires in 1946 by the Hungarian-Argentinian artist and poet Gyula Kosice, and the Uruguayans Carmelo Arden Quin and Rhod Rothfuss.
Her paintings were recognized and championed by Hilla von Rebay, chief advisor to Solomon R. Guggenheim, who purchased a number of her paintings, along with art from other standouts in the early American abstract art scene, for his Museum of Non-Objective Painting (later renamed Solomon R. Guggenheim Museum) in New York.
Traveling frequently to New York City, Berssenbrugge became engaged in the rich cultural flourishing of the abstract art movement, and was influenced by New York School poets John Ashbery, Barbara Guest, James Schuyler and Anne Waldman, and then the Language poets, including Charles Bernstein, as well as artist Susan Bee.
In 1961 artist Fernando Zobel began looking for a suitable location for a museum of abstract art, and in June 1963 his friend, the artist Gustavo Torner, suggested the Hanging Houses of Cuenca as an appropriate site.
Samson Flexor (born Samson Flexor Modestovich on 9 September 1907, Soroca, Moldova - died on 31 July 1971, São Paulo, Brazil) was a French and Brazilian artist, and founder of the Brazilian abstract art.