The west face describes the Adoration of the Magi, the Miracle at Cana, the Multiplication of the Loaves and Fishes and Christ’s entry into Jerusalem.
After producing mainly portraits, Oudry started to produce still life paintings of fruits or animals, as well as paintings of religious subjects, such as the Nativity, Saint Giles, and the Adoration of the Magi.
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The iconography of the two artists' elements was designed to complement each other, with a painted sequence of scenes from the Infancy of Christ and within, carved scenes of the Adoration of the Magi, the Crucifixion in the centre, and the Entombment of Christ, flanked by saints on the inside of the side-panels.
The Adoration of the Magi by Paolo Veronese is a large oil painting on canvas painted for the church in 1573 which has been in the National Gallery, London since the church sold it in 1855, presumably to finance the rebuilding.
The reredos was designed as a triptych; in its central panel, depicting the Adoration of the Magi scene, one of the Magi is a representation of William Morris, the artist, writer and socialist activist: Morris and Burne-Jones were friends and artistic collaborators.
These include, in the lower sector, a bestiary and scenes from the Old Testament; in the middle one it has statues and characters from the New Testament; the frieze and the tympana above the latter have also scenes from the same book, including the "Adoration of the Magi", the "Crucifixion of Jesus" and a "Maestà".
There are also scenes of the theme combined with Adoration of the Magi at the Museum San Marco, and a diptych in the Galleria Nazionale dell'Umbria.
The painting "The Adoration of the Magi" by Van der Goes is only a copy, since the original was sold in 1913 to Staatliche Museen in Berlin for one million two hundred thousand pesetas allowing completion of the works of the school.
He painted a Birth of St. John the Baptist and Descent from the Cross for the principal church of Clusone a Transfiguration for the Chiesa di Monesterolo in the Valle Cavallina, and an Adoration of the Magi for the church of the Padri Osservanti at Lovere.
Simone painted a Martyrdom of St Bartholemew in Messina, and an Adoration of the Magi for the monastery of Basicò.
Crowe and Cavalcaselle also claim for Bertucci an Adoration of the Magi in the Berlin Gallery, there ascribed to Pinturicchio, and a Glorification of the Virgin in the National Gallery, given in the catalogue to Lo Spagna, who was a pupil of Perugino.
Munich. Gallery: The Flight into Egypt, 1841; The Adoration of the Magi, 1844; The Visitation, 1845; and The Entombment, 1848.
Now there are four Passion paintings in Esztergom,Hungary, in the Christian Museum; the painting "The Birth of Christ" is held in Svätý Anton (formerly known also as Hontszentantal) near Banská Štiavnica, and The Adoration of the Magi is in the Museum of Lille in France.
The interior houses a wooden sculpture by Anton Maria Maragliano, a canvas of St. George Killing the Dragon attributed to Peter Paul Rubens, a Madonna with Saints by Carlo Dolci and an Adoration of the Magi by Luca Cambiaso.
The base is decorated by tiles (with the Massacre of the Innocents, Adoration of the Magi and the Presentation in the Temple) which simulated antique bas-reliefs and were inspired by the altar of the basilica of Saint Anthony of Padua by Donatello.
“Absolute Truth” (2000) shows Mikhail Gorbachev and the Pope conversing in the Sistine Chapel and in “Wise Men from the East” (2002) the Magi in Leonardo da Vinci's unfinished Adoration of the Magi are Chinese sages.
Leonardo da Vinci did detailed and measured drawings of the background Classical ruins preparatory to commencing the unfinished Adoration of the Magi.
1897 – The Tables of the Law. The Adoration of the Magi, privately printed; The Tables of the Law first published in The Savoy, November 1896; a regular edition of this book appeared in 1904