The play remains in the active theatrical repertory; modern stagings are usually amateur or student productions, though the Royal Shakespeare Company performed the play in 1983, directed by Adrian Noble and with Emrys James as Sir Giles.
Opera productions include productions of Gloriana and Peter Grimes directed by Phyllida Lloyd for Opera North, and Il ritorno d'Ulisse in patria directed by Adrian Noble for the Festival d’Aix-en-Provence.
The theatre was built as the London home of the Royal Shakespeare Company, which was involved in the design, but decided not to renew its contract in 2002 after claiming a lack of performing space, plus the artistic director, Adrian Noble, wanting to develop the company's touring performances.
With exhibitions from galleries such as The View, the UK's contemporary art scene combines with a debate series featuring significant cultural figures such as former Director of the Royal Shakespeare Company Adrian Noble, novelist Mark Haddon and art historian Griselda Pollock.
In 2010, Anderson appeared as the titular character in The Madness of George III mounted by director Adrian Noble at San Diego's Old Globe Theatre.
Previously, the RSC had offered seasons in which one of the tetralogies had been staged at the RSC, such as The Wars of the Roses (the Henry VI plays adapted by John Barton), or The Plantagenets (the Henry VI plays directed by Adrian Noble).
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Over the period he worked with many well known directors, including Adrian Noble, Sam Mendes, Deborah Warner, Katie Mitchell and Max Stafford-Clark.
As such, he was closely involved with the important figures of the theatre world throughout much of the sixties and seventies, particularly Peter Hall and Trevor Nunn, but also David Jones, Terry Hands, Adrian Noble, Clifford Williams, David Hare, David Edgar.