Rich in Love, probably her best-known novel, was made into a 1993 film of the same title directed by Bruce Beresford, from a screenplay by Alfred Uhry, starring Albert Finney and Jill Clayburgh.
Numerous scenes from the film of the book which starred Albert Finney, were shot in Radford.
It was adapted by Sillitoe into a 1960 film starring Albert Finney, directed by Karel Reisz, and in 1964 was adapted by David Brett as a play for the Nottingham Playhouse, with Ian McKellen playing one of his first leading roles.
Their 1960 play of the same name starred Albert Finney when it premiered in 1960, and played for 582 performances before being taken out on a series of national tours.
Albert Einstein | Royal Albert Hall | Victoria and Albert Museum | Albert Camus | Prince Albert | Albert Park | Albert Speer | Albert Schweitzer | Albert, Prince Consort | Albert Campion | Albert | Albert Park, Victoria | Albert II, Prince of Monaco | Albert Bierstadt | Albert Finney | Johann Albert Fabricius | Albert R. Broccoli | Albert Lee | Eddie Albert | Albert Einstein College of Medicine | Albert Bandura | Albert Watson (photographer) | Albert Watson | Albert King | Albert II of Belgium | Albert Brooks | Albert I of Belgium | Albert Gleizes | Mount Albert | Albert, Somme |
It stars Tom Courtenay as Roy and Albert Finney as Reggie, and stays close to the plot of the book until the ending, when the two old men end up staying together.
He later went on to work in repertory theatre at the Bristol Old Vic, Guildford and Northampton, before joining the company at Birmingham, where his fellow actors included Derek Jacobi, Rosemary Leach and Albert Finney.
The case was adapted into the highly successful film, Erin Brockovich, with Albert Finney portraying Masry.
Other theatre work includes The Biko Inquest at the Riverside Studios with Albert Finney; Manningham in Gaslight at Salisbury Playhouse; Dionysus in The Bacchae at Bristol Old Vic; Banquo in Macbeth and Hortensio in The Taming of the Shrew.
However d'Hubert approaches the Minister of Police Joseph Fouché (Albert Finney) and persuades him to release Féraud (without revealing d'Hubert's part in his reprieve).
The original artwork depicted comes from an early 1980s advertisement for A.D.S. speakers (the object on the bed is a speaker), however due to legal reasons later pressings were produced with new artwork, a lilac-tinted still of Billie Whitelaw from the film Charlie Bubbles, directed by Albert Finney.