During this period, Roldán, one of the leaders of the Afrocubanismo movement, wrote the first symphonic pieces to incorporate Afro-Cuban percussion instruments.
She also started learning music theory and choral direction in the Amadeo Roldán Conservatory, and finished her studies in Switzerland where she studied old chant.
Then, attending the Amadeo Roldán Music Conservatory, she chose to concentrate on a particular type of Cuban guitar called the tres and started performing in Havana’s bars and clubs.
Juan Roldán | Amadeo I of Spain | Amadeo Roldán | Amadeo | Juan Roldan | Guillermo Pérez Roldán | Amadeo Carrizo |