William Laud | Archbishop of Canterbury | Archbishop | Archbishop of York | archbishop | Archbishop of Dublin | Archbishop of Cashel | Archbishop of Glasgow | Archbishop of Armagh | Archbishop of Cologne | Laud | Archbishop of Tuam | The Archbishop Lanfranc School | Archbishop of Santiago | Archbishop of Uppsala | Archbishop of Melbourne | Archbishop of Dublin (Roman Catholic) | William Temple (archbishop) | Joscius, Archbishop of Tyre | Death Comes for the Archbishop | Archbishop of Westminster | Archbishop of Dublin (Church of Ireland) | Archbishop of Bremen | Archbishop of Birmingham | Ado (archbishop) | Richard Palmer (archbishop) | Poppo (Archbishop of Trier) | John Hughes (archbishop) | Howling Laud Hope | Giovanni Visconti (archbishop) |
In 1639 the Mastership of the Rolls became vacant on the death of Sir Dudley Digges, and Caesar consulted Archbishop Laud on whether he might obtain it, but was warned "that as things then stood, the place was not like to go without more money than he thought any wise man would give for it".
He did not wish to alter the government of the church, was on good terms with Archbishop Laud, and, although convinced of the guilt of Strafford, was anxious to save his life.
He was frequently at variance with Archbishop Laud, and in 1640 refused on conscientious grounds to sign the seventeen Articles drawn up by the Archbishop.
However, his strong support of Archbishop Laud, and his toughness on Puritans, led to his being imprisoned in the Tower of London by the Parliamentarian faction from 1641 to 1659.
The obvious European, and thus Catholic, design of the porch was later to cause problems for the porch's patron Archbishop Laud because at the centre of the scrolled pediment was placed a statue of the Virgin and Child, a composition considered to be Roman Catholic idolatry, and later used against the Archbishop at his trial for treason in 1641 following the grand Remonstrance.
His dramatic paintings include Strafford Led to Execution, depicting the English Archbishop Laud stretching his arms out of the small high window of his cell to bless Thomas Wentworth, 1st Earl of Strafford, as Strafford passes along the corridor to be executed, and the Assassination of the duc de Guise at Blois.
The Personal Rule began to unravel in 1637, when Charles, along with his adviser Archbishop Laud, attempted to reform the then-episcopal Church of Scotland to bring it into line, especially in its liturgy, with the Church of England.
He attacked Archbishop Laud with great vigour and was a member of the important committees of the parliament, including the one appointed in consequence of the attempted seizure of the five members.
On Sunday 23 July 1637 efforts by Charles I and Archbishop Laud to impose Anglican services on the Church of Scotland led to the Book of Common Prayer revised for Scottish use being introduced in St Giles.
The interior of the church contains several interesting items, including a memorial to John Blagrave, the 16th century English mathematician and a 1522 font used for the christening of Archbishop Laud.
The stained glass in the north and south windows dates from the 20th century, and depicts Archbishop Laud and Charles I.
Sancroft was a patron of Henry Wharton (1664–1695), the divine and church historian, to whom on his deathbed he entrusted his manuscripts and the remains of Archbishop Laud (published in 1695).