She was a cast member in numerous productions such as Artaud Estudio with Paulo Filipe (ACARTE, 1997); Auto da India by Gil Vicente; Let's Make Opera with Paulo Matos (Teatro São Luiz, 1994); Queima de Judas (Teatro O Bando, 1992).
After nine years of being locked up, Antonin Artaud (Sami Frey) is released from the asylum at Rodez, and returns to Paris with his friends.
According to Kristeva, the best modern literature (Dostoevsky, Proust, Artaud, Céline, Kafka, etc.) explores the place of the abject, a place where boundaries begin to breakdown, where we are confronted with an archaic space before such linguistic binaries as self/other or subject/object.
The Antonin Artaud Critical Reader, which includes texts by Gilles Deleuze, Jacques Derrida, and Susan Sontag.
The Seashell and the Clergyman: (Released in 1928) a 31-minute, silent, black and white film, written by Antonin Artaud, and directed by Germaine Dulac.
"Though many of those theatre-artists proclaimed an Artaudian lineage (Jerzy Grotowski, Peter Brook, Richard Schechner among them)," Susie Tharu argues, "the Artaud they invoke is marked by a commitment as ahistorical and transcendent as their own."