In contrast to this scenario is Animika herself, a budding intellectual who devours books—among other authors, she has read Dostoevsky, Sartre, Kundera and Bradbury and reads Nabokov's Lolita during her trip to Kasauli—and at school excels at maths and physics.
His radio adaptation of Dostoevsky's The Gambler was on BBC Radio 3 in June 2009, and repeated on BBC Radio 4 in December 2010, starring Patricia Routledge, Sam Crane, Siobhan Hewlett and Nicholas Le Prevost, and directed by Guy Retallack.
Dostoevsky was always his favourite, and Rojter illustrated such works as “Netochka Nezvanova”, “A Gentle Creature”, “The Brothers Karamazov”, and “The Possessed”.
According to Kristeva, the best modern literature (Dostoevsky, Proust, Artaud, Céline, Kafka, etc.) explores the place of the abject, a place where boundaries begin to breakdown, where we are confronted with an archaic space before such linguistic binaries as self/other or subject/object.
His themes of interest are diverse and original, and his intellectual curiosity is a mixture of modern world poetry, philosophy of numbers, Christian esthetics, the works of Dostoevsky, Gogol and Andreyev, the history of European civilization, European esoteric writers, protohistory of Serbs and Slavs, the phenomenon of migrations and the Christian-Orthodox mysticism.
It was an adaptation of A Gentle Creature by Dostoevsky that Nadjari updated, setting it in contemporary New York City.
Fyodor Dostoyevsky is described as a romantic realist in Donald Fanger's book, Dostoevsky and Romantic Realism: A Study of Dostoevsky in Relation to Balzac, Dickens, and Gogol.
In Atheism and the Rejection of God: Contemporary Philosophy and "The Brothers Karamazov" (1977) and Faith and Ambiguity (1984), he explored continental thinkers including Dostoevsky, Kierkegaard, Camus and Weil.
The concert hall became renowned as a setting for literary readings attended by the likes of Dostoevsky, Turgenev, and Taras Shevchenko.
The narrator of Notes from Underground, an 1864 Russian short novel by Fyodor Dostoevsky
The panoramic canvases of his novels capture the teeming life of the streets, reflecting their author's appreciation of such great nineteenth-century writers as Balzac, Dickens, Dostoevsky and Gogol.