and the full body frontal portraits that reference August Sander.
Her style is akin to that of early 20th-century photographers, such as Eugène Atget, Lewis Hine and August Sander—all major influences on Ross's work.
Alfred Döblin's essay, "Of Faces, Pictures, and their Truth" ("Von Gesichtern, Bildern, und ihrer Wahrheit"), published as an introduction to photographer August Sander's 1929 collection Face of our Time (Antlitz der Zeit).
In his early years he was influenced by photographers August Sander, Bernd Becher, and Hilla Becher.
Somoroff’s "Absence of Subject", his homage to the legendary photographer August Sander, was chosen as the only exhibit to be placed on Piazza San Marco during the 2011 Venice Biennale in the long artistic history of the city.
August Strindberg | August | Papal conclave, August 1978 | Stanisław August Poniatowski | Jil Sander | August Derleth | Pernilla August | August Macke | Gottfried August Bürger | August Wilson | August von Mackensen | August Sander | August Heckscher | Sander Kleinenberg | Georg August Schweinfurth | August Spies | August Neidhardt von Gneisenau | August Bournonville | August Belmont | Robert August | Oslo, August 31st | Karl August Varnhagen von Ense | Erdmann August of Brandenburg-Bayreuth | Carl August Tidemann | Bille August | August Weismann | August von Kotzebue | August Schleicher | August: Osage County | The Teahouse of the August Moon |
Recent shows with portrait or glamour photography are Photographs 1946-2004 by Richard Avedon, Chemises by Malick Sidibé, and People of the 20th Century by August Sander.