Jean Coralli (1779–1854), Ballet master of the Ballet du Théâtre de l'Académie Royale de Musique from 1831-1850 who was born Jean Coralli Perecini in Paris of Bolognese parents.
Master of Arts (postgraduate) | Master of Arts | Master of Business Administration | Master's degree | Master of Science | American Ballet Theatre | New York City Ballet | ballet | master's degree | National Ballet of Canada | Master of the Rolls | Joffrey Ballet | Master | San Francisco Ballet | Master P | Master of Laws | Master of Fine Arts | Master of Arts (Oxbridge and Dublin) | Bolshoi Ballet | Master of Divinity | Pacific Northwest Ballet | Old Master | Royal Danish Ballet | Master's Degree | Master and Commander: The Far Side of the World | Boston Ballet | Master of Wine | Master of Education | Houston Ballet | His Master's Voice |
The French ballet master Jean-Étienne Despréaux defined it in 1806 as a specific kind of dynamic balance fundamental to all positions and movements of (classical) ballet.
Michel François Hoguet (b. 17 June 1793 in Paris – d. 5 April 1871 in Berlin) was a French ballet dancer, ballet master and choreographer at the Royal Berlin Theater, where he worked from 1817 until 1823 as first solo dancer.
The school was established as the Imperial Theatrical School by decree of the Empress Anna on 4 May 1738 with the French Ballet Master Jean-Baptiste Lande as its director.
Jean-Baptiste's younger son, Alexis-Scipion (1792-1852), was a ballet master at Lyon, Paris, Marseille, Bordeaux and Saint-Petersburg.
Jean-Baptiste Brulo (29 January 1746, Ghent – ?) was a French ballet dancer, choreographer and ballet master, the son of the French dancers Jean-Baptiste Brulo and Marie-Thérèse Tabary.
In 1999, the ballet master Paul Chalmers revived Taglioni's original version of this ballet for the Verona Ballet of Verona, Italy.
Borbála Nádasdy is a ballet master and author, currently lives in France.
Antoine-Bonaventure Pitrot (1727-1792) Pitrot aîné, French dancer, choreographer and ballet master; and older brother of ...
The era is typically considered to have begun with the 1827 début in Paris of the ballerina Marie Taglioni in the ballet La Sylphide, and to have reached its zenith with the premiere of the divertissement Pas de Quatre staged by the Ballet Master Jules Perrot in London in 1845.