Jean Coralli (1779–1854), Ballet master of the Ballet du Théâtre de l'Académie Royale de Musique from 1831-1850 who was born Jean Coralli Perecini in Paris of Bolognese parents.
The sources indicate that he was a student of Domenichino, but direct contact with the Bolognese artist is now disputed.
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The wear of this material that followed possibly inspired the work of the Bolognese school of wax modeling and the artists Ercole Lelli and Giovanni and Anna Morandi Manzolini.
They include Cazzati, Perti, G. B. Vitali, Torelli and Corelli (who had Bolognese links although he mainly worked in Rome); the school is associated with sacred music and particularly with the rise of the instrumental concerto and sonata, including music for trumpet and strings, a Bolognese speciality.
His father was Dalmasio Scannabecchi (sometimes referred to as pseudo-Dalmasio), a Bolognese painter from a minor noble family who migrated to Pistoia during a period of Guelph rule in Bologna.
The sculpture appears on a pedestal, among other vestiges of shattered Classical pagan culture, in the Adoration of the Shepherds that was painted in 1515 by the Bolognese painter Amico Aspertini, now in the Uffizi.
Giuseppe's brother, Felice Torelli, was a Bolognese painter of modest reputation, who went on to be a founding member of the Accademia Clementina.
It included the tomb of Anton Galeazzo Bentivoglio by Jacopo della Quercia and the Bentivoglio family's own private chapel, the altar of which has some striking artwork by Lorenzo Costa depicting family victories over other Bolognese dynasties.
In the garden annexed to the church is a precious Pietà in terracotta of late-15th century Bolognese or Faenza school.
During his lifetime the family would rise in status from its professional roots in the law faculty at the University and in the College of Notaries to fill important offices in the Bolognese senate, as well as in the Bolognese church and at the papal court.
His formation and first works overlapped with the arrival of the Napoleonic troops in the city; thanks to the request of his mentor, who was a member of the Senate and representative of the Bolognese provisional government, Palagi desgigned uniforms, medals, and emblems with the symbols of Liberté, égalité, fraternité to be used in letters and cards for the Directory.
He was influential in bringing the Bolognese artist Guercino to Rome, a landmark in the development of the High
In 1973-1976, Roversi wrote lyrics for three albums by fellow Bolognese musician Lucio Dalla: Il giorno aveva cinque teste, Anidride solforosa and Automobili, the latter under the pseudonym Norisso.
Designed by Bernardo Buontalenti for Francesco I de' Medici in the late 1580s, the most important antiquities and High Renaissance and Bolognese paintings from the Medici collection were and still are displayed here.