Marillion's 1994 release Brave opens with a song titled "Living with The Big Lie", about propaganda in the Western world.
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As Vladimir Bukovsky puts it, the middle ground between the Big Lie of Soviet propaganda and the truth is a lie, and one should not be looking for a middle ground between disinformation and information.
Newman has extensive theatre experience, including Loveplay by Moira Buffini; Luminosity by Nick Stafford; Night of the Soul by David Farr and The Big Lie by Anthony Neilson, all for the RSC, as well as The Censor and The Lying Kind, both by Anthony Neilson, for the Royal Court Theatre, London.
On the way home from Venice on the Orient Express, a drunk Angie tells the barman all about her big lie.
Notable productions by independent theaters at EXIT Theatre included the world premiere of Babylon Heights by Irvine Welsh (of Trainspotting fame) and Dean Cavanagh, a new authorized translation of No Exit by Jean-Paul Sartre, the premiere of One Big Lie by Liz Duffy Adams, and an incendiary Death of the Last Black Man in the Whole Entire World by Suzan-Lori Parks.
Many examples from politics and theology, e.g. the claim that the Roman Emperor was in fact a "god", demonstrate that this principle was known by effective propagandists from early times, and continues to be applied to this day, e.g. the propaganda model of Noam Chomsky and Edward S. Herman, which supports the 'big lie' thesis with more specifics.