Herbert Blendinger's Media in vita was premiered in 1980, his Mich ruft zuweilen eine Stille (Sometimes a silence calls me) in (1992), and Allein den Betern kann es noch gelingen (It can only be achieved by those who pray) in 1995.
Test strategies caring for control flow are also relevant for safety-critical systems with SIL >= 1.
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27 November — Frederik Magle's Cantata for choir and chamber orchestra We Are Afraid (Vi er bange) is premiered in Grundtvig's Church, Copenhagen.
The musical introduction was Bach's Sinfonia to Cantata #29 performed on a Moog synthesizer by Mort Garson.
It is one of two large scale choral works with orchestral accompaniment by Vaughan Williams surviving from this period, the other being a cantata setting of Swinburnes' poem The Garden of Proserpine.
Released in 1997, Adiemus II: Cantata Mundi is the second album by Welsh composer Karl Jenkins as part of the Adiemus project.
Additionally, ballets and cantatas, as well as innumerable songs have been set to Pushkin's verse (including even his French-language poems, in Isabelle Aboulker's song cycle "Caprice étrange").
He composed, in 1966, the monumental jazz cantata Anna Livia Plurabelle, on James Joyce's text, and in 1972 of Bitter Ending, by The Swingle Singers and a jazz quintet, on the final monologue of Finnegans Wake.
On January 6, 2008, they performed an Epiphany Concert featuring Bach—Cantata Wachet auf, ruft uns die Stimme, BWV 140 (Sleepers Awake!), featuring guest talent and other pieces of the same theme.
Herbert Blomstedt conducted the Swedish Radio Symphony Orchestra and Choir in Franz Berwald's Sinfonie singulière, a commission from Sven-Erik Bäck - the cantata 'Vid havets yttersta gräns' (words by Östen Sjöstrand), and the Symphonie fantastique by Berlioz.
For his 31st birthday in the year 1713, the composer Johann Sebastian Bach wrote the famous cantata Was mir behagt, ist nur die muntre Jagd, BWV 208 (The lively hunt is all my heart's desire) as occasional music with a pastoral character.
České requiem: Smrt a spasení ("Czech Requiem: Death and Redemption," Op.24) is a 1940 choral cantata for soprano, alto, baritone, chorus and orchestra by Ladislav Vycpálek.
The cantata was written in 1725 for the 43rd birthday of Christian, Duke of Saxe-Weissenfels.
In addition to his choral compositions, Lord also wrote several works for the organ and the piano, one symphony, the cantata The Battle of Morgarten, and a setting of Psalm 90 for baritone solo, choir, and orchestra.
The same poem was also set to music by the 20th-century Russian composer, Boris Tchaikovsky (1925-1996), in his 1974 cantata "Signs of the Zodiac".
He has resided extensively abroad, including Stanford University in the 1980s and Yonsei University in Seoul in 1988 and has visited Israel and Lebanon repeatedly, writing a chamber cantata Den Toten von Sabra und Chatila to poems by the Palestinian poet Tawfiq Ziad (1982).
Germanenzug (WAB 70) is a secular cantata composed in 1863–1864 by Anton Bruckner on a text by August Silberstein.
(One or two cantatas, for example Nach dir, Herr, verlanget mich, BWV 150, may have been written at Arnstadt, his previous residence, for performance at Mühlhausen.) Gott ist mein König, along with another cantata (now lost) composed the following year, was written for the annual service that took place on February 4, the day after the city held elections to install a new city council.
Then in 1719 he married, and the next year took up an appointment in Gotha, where he worked until his death for the dukes Frederick II and Frederick III of Saxe-Gotha-Altenburg, composing a cantata each week.
The myth was put into poetical form by the novelist and poet Jens Peter Jacobsen; a German translation of his poems forms the text of the huge cantata Gurrelieder by Arnold Schoenberg.
The installation consisted of a long pool of water coloured blood red, upon which floated a small white boat named "Snövit" ("Snow White") carrying a portrait of Hanadi Jaradat, which were accompanied by text written on the nearby walls, and the sound of Bach's Mein Herze schwimmt im Blut (Cantata 199).
The renowned liturgist Adrian Fortescue declared that the Missa Cantata "is really a low Mass, since the essence of high Mass is not the music but the deacon and subdeacon".
Partial cantata cycles for 1737, 1742, and 1745 - mainly lost in the Greiz town fire in 1802, but a few copies survive in Mügeln and Bösenrode parish churches.
His melody Werde munter, mein Gemüte of 1641 was used by Johann Sebastian Bach for the chorale movements (6 and 10) of his cantata Herz und Mund und Tat und Leben, BWV 147.
Poslední sen starého dubu (The Old Oak Tree's Last Dream), Cantata after the fairy tale by Hans Christian Andersen for children's chorus and orchestra (1983); words by the composer
Both variants have been recorded: the aria by Ton Koopman with Klaus Mertens as the bass soloist and the Amsterdam Baroque Orchestra, and the chorus by Koopman's pupil Masaaki Suzuki and the Bach Collegium Japan in addition to the full cantata in E.
Chamber Cantata Part II (Bethany Beardslee, soprano; Ray DeVoll, tenor; Gustav Meier, conductor; 1959)
She sang in the St Matthew Passion in November 1929 (with Keith Falkner and Elsie Suddaby) at Westminster with the Bach Cantata Club under Charles Kennedy Scott.
His output includes Ulysses (1947), a cantata on words by James Joyce and a clarinet concertino; scores to animated films, including Animal Farm (1954); a setting of the Scottish "poet and tragedian" William McGonagall's work, The Famous Tay Whale (written for the second of Gerard Hoffnung's music festivals); three string quartets; and choral arrangements of Hungarian and Yugoslav folk songs.
On this basis the cantata may date from Bach's time in Arnstadt, where he was organist of St Boniface's church until his move to Mühlhausen in the summer of 1707.
After a period in Europe he went on to Cuba to work with some of the most important South American directors of his time, such as Humberto Solás (La Cantata de Chile) and Tomás Gutiérrez Alea, winning the Best Actor award for his role as 'El Conde' in Gutiérrez Alea's The Last Supper at the 1978 Festival Internacional de Cine de Biarritz.
He left behind him a son, Francis Mori (1820-1873), the composer of a cantata, entitled 'Fridolin;' an operetta, with words by George Linley, entitled 'The River Sprite,' which was performed at Covent Garden on 9 Feb. 1865; many songs, and a series of vocal exercises.
William Rhys-Herbert included a new hymn-tune and harmonization as part of his 1909 cantata, Bethany.
There is no clearly named "organ concerto" (i.e., for organ and orchestral ensemble) by Bach, but several cantata movements contain extensive organ solo parts.
The cantata was commissioned by the Revd Canon Walter Hussey for the celebration of the fiftieth anniversary of the consecration of St Matthew's Church, Northampton.
A tape of composer Lūcija Garūta playing the organ for a cantata during World War II captured the sound of battle outside Riga Dom.
Cundick has written many vocal works, such as the cantata The Song of Nephi, as well as The Redeemer (widely viewed has his most significant work), an oratorio with the text selected by Brigham Young University professor Ralph Woodward.
Dave Brubeck's cantata The Gates of Justice (1969) had its first performance at the new Rockdale Temple.
Schau, lieber Gott, wie meine Feind, BWV 153 ("See, dear God, how my enemies"), BWV 153, a church cantata by Johann Sebastian Bach
A vocal score (or, more properly, piano-vocal score) is a reduction of the full score of a vocal work (e.g., opera, musical, oratorio, cantata, etc.) to show the vocal parts (solo and choral) on their staves and the orchestral parts in a piano reduction (usually for two hands) underneath the vocal parts; the purely orchestral sections of the score are also reduced for piano.
The cantata was written for the 24th birthday of the prince's second wife, Princess Charlotte Friederike Amalie of Nassau-Siegen on 30 November 1726, the likely date of the work's premiere, albeit undocumented.
Glimmerglass Opera commissioned her to write lyrics for a cantata, entitled Constellations, in collaboration with composer David Carlson.
Despite this, Sullivan would go on to write a cantata with Chorley (The Masque at Kenilworth, 1864), and a few stand-alone songs including "The Long Day Closes" (1868).
One of the pieces was the cantata containing 'Sheep may safely graze’.
:* Ode to the Nightingale, cantata with text by John Keats for soprano and small orchestra (1983)
The book inspired a number of musical works, including the opera Black River by Conrad Susa, which was composed in 1975 and revised 1981; the "dramatic cantata" Songs of Madness and Sorrow by Daron Hagen, composed in 1996, a song by the Bethel, Maine-based thrash metal band Theory of Negativity on their 1994 self-titled album; and the 1999 album Wisconsin Death Trip by the band Static-X.
In London he composed the secular cantata Ilios o Protos (Sun the First) on the poetry of Odysseas Elytis (Nobel Prize 1979) and completed the musical ceremony Idou o Nymphios, a work the composer still wishes to keep unreleased with the exception of one part, the song Zavara-Katra-Nemia, a vocal composition of Dionysian character, that was released in 1966 and became one of his best known pieces.