Chedham's Yard is a collection of workshops, garden and visitor centre located in Wellesbourne, Warwickshire.
Scotland Yard | Washington Navy Yard | Stomp the Yard | Skin Yard | Brooklyn Navy Yard | Boston Navy Yard | 40-yard dash | yard | Wrecking yard | Quakers Yard | Navy Yard | Mountain Top yard | livery yard | Kettle's Yard | Classification yard | 10-Yard Fight | Yard patrol boat | Wath marshalling yard | The Scotland Yard Mystery | The Longest Yard (1974 film) | The Longest Yard | The former North British Diesel Engine Works and disused Titan Crane at Barclay Curle's Clydeholm Yard in Whiteinch | Struthers (at left, in top hat) with the Tay Whale at John Woods' yard, Dundee, 1884, photographed by George Washington Wilson | Stomp The Yard | Scotland Yard (TV series) | Sayre Yard | NFTA Rail Maintenance Yard | Livery yard | Little Dean's Yard | Jolimont Yard |
He has curated several popular exhibitions, including Modern Britain 1929-39 Design Museum, 1999, Serge Chermayeff (Kettle's Yard), 2001, Eric Ravilious (Imperial War Museum), 2003 and Mind into Matter (De La Warr Pavilion), 2009.
By 1905, the workshops around the courtyard of Leah’s Yard were occupied by eighteen Little mesters whose trades included dram flask manufacturer, hollow ware and silver buffers, palette knife makers, steel fork manufacturer, silver ferrule maker, brass and nickel silver turners, electroplate producer and a cutler.
College to the East was designed by Burlington, with Christopher Wren's approval after his own design was rejected.
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On the North side of Yard is Ashburnham House, built by Inigo Jones or his pupil John Webb, on the site of the mediæval Prior's House, parts of which can still be seen.
He was depicted as "an excellent leader and educator, who devoted his time entirely for the sake of education rather than to building excessive relationship with external high-society figures, who bears a warm heart under a stern appearance, who will always be remembered for picking up rubbish from the Little Dean's Yard ground."
In 1986, Burgin was nominated for the Turner Prize for his exhibitions at the Institute of Contemporary Arts and Kettle's Yard Gallery in Cambridge and for a collection of his theoretical writings (The End of Art Theory) and a monograph of his visual work (Between).