She was unfailingly critical of the great Czech conductor Rafael Kubelík, described Janáček's orchestral work Taras Bulba as "trash" and even called Bartók's classic Music for Strings, Percussion and Celesta a "potboiler".
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Most of Greenwood's best work was done on the stage, and was lauded by such critics as James Agate, Alexander Woollcott and Claudia Cassidy.
In a review, noted Chicago Tribune music critic Claudia Cassidy, who was known for her unkind reviews of established artists, recalled Richter first walking on stage hesitantly, looking vulnerable (as if about to be "devoured"), but then sitting at the piano and dispatching "the performance of a lifetime".