Analyzing seminal works by modern and postmodern philosophers such as Rousseau, Kant, Marx, Sartre, Arendt, Foucault, and Derrida, Ophir submits that to be moral is to care for others, and to be committed to preventing their suffering and distress.
Taking up Derrida's deconstruction and extending it to other cultural territory, Cary Wolfe published Animal Rites in 2003 and critiqued earlier animal rights philosophers such as Peter Singer and Thomas Regan.
Derrida and Negative Theology, ed H. G Coward, SUNY 1992.
His more theoretical work relies on the concept of oecumene, which he uses after Plato and quite distinctly from the sense proposed by Derrida.
While continuing his engagements with writers such as Derrida, Jean Luc Nancy, Jean-Luc Marion, and others, his recent works are influenced visibly by the writings of Werner Hamacher.
The main character is a courier making an emergency delivery by jetpack of an important package to one of Genoq's top researchers, Jean-Paul Derrida (a name likely inspired by the philosopher Jacques Derrida), and who is happily oblivious to the carnage until the lab's doors lock behind him.
Derrida has been involved in a number of high profile disagreements with prominent philosophers including Michel Foucault, John Searle, Willard Van Orman Quine, Peter Kreeft, and Jürgen Habermas.
Authors published in Derrida Today have included: Karen Barad, Andrew Benjamin, Geoffrey Bennington, Tom Cohen, Claire Colebrook, Grant Farred, Sean Gaston, Joanna Hodge, Christine Irizarry, Vicki Kirby, John Leavey, Niall Lucy, J. Hillis Miller, Christopher Norris, Herman Rapaport, Alison Ross, Henry Staten, H. Peter Steeves, among others.
In Jacques Derrida's response, "Sokal and Bricmont Aren't Serious," first published in Le Monde, Derrida writes that the Sokal hoax is rather "sad triste," not only because Alan Sokal's name is now linked primarily to a hoax, not to science, but also because the chance to reflect seriously on this issue has been ruined for a broad public forum that deserves better.
In addition to Derrida and Joyce, she has written monographs on the work of the Brazilian writer Clarice Lispector, on Maurice Blanchot, Franz Kafka, Heinrich von Kleist, Michel de Montaigne, Ingeborg Bachmann, Thomas Bernhard, and the Russian poet Marina Tsvetaeva.
Lawson's subsequent work can be seen as a response to the writings of Rorty and Derrida, and an attempt to move forward the post-analytic project.
In 1972, Derrida wrote "Signature Event Context," an essay on J. L. Austin's speech act theory; following a critique of this text by John Searle in his 1977 essay Reiterating the Differences, Derrida wrote the same year Limited Inc abc ..., a long defense of his earlier argument.
In particular, it includes an interview of Derrida by Mark Dooley which contains Derrida’s definitive statement on religion: ‘The Becoming Possible of the Impossible.' Henry Isaac Venema, Brandon University, wrote that this book ‘sparkles with wit and intelligence and is of tremendous value... for those who are looking for an outstanding introduction to the key issues concerning contemporary philosophy and religion.’
Geoffrey Hartman has also criticized Derrida's accounts of phonocentrism.
"No More Stories, Good or Bad: de Man's Criticisms of Derrida on Rousseau," in David Wood (ed.), Derrida: A Critical Reader (Oxford: Blackwell, 1992).
References to famous philosophers, another of Green's favourite subjects, recur throughout the album, most obviously on the track "Jacques Derrida", named after the Deconstructionist philosopher who Green eventually met in 1988.
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The cover artwork for each of the singles was a homage to the packaging of a luxury consumer item: Dunhill cigarettes for "The 'Sweetest Girl'", Dior's Eau Sauvage perfume for "Faithless", and Courvoisier cognac for "Asylums in Jerusalem"/"Jacques Derrida".